In Love, Siva Created the world

Thirumanthiram Irandam Thanthiram - Anugiragam 2.13
1.
எட்டுத் திசையும் எறிகின்ற காற்றொடு
வட்டத் திரையனல் மாநிலம் ஆகாயம்
ஒட்டி உயிர்நிலை என்னும்இக் காயப்பை
கட்டி அவிழ்ப்பன் கண்ணுதல் காணுமே.

4.
விடையுடை யான்விகிர் தன்மிகு பூதப்
படையுடை யான்பரி சேஉல காக்கும்
கொடையுடை யான்குணம் எண்குண மாகும்
சடையுடை யான்சிந்தை சார்ந்துநின் றானே.

5.
உகந்துநின் றேபடைத் தான்உல கேழும்
உகந்துநின் றேபடைத் தான்பல ஊழி
உகந்துநின் றேபடைத் தான்ஐந்து பூதம்
உகந்துநின் றேஉயிர் ஊன்படைத் தானே.

6.
படைத்துடை யான்பண் டுலகங்கள் ஏழும்
படைத்துடை யான்பல தேவரை முன்னே
படைத்துடை யான்பல சீவரை முன்னே
படைத்துடை யான்பர மாகிநின் றானே.

7.
ஆதி படைத்தனன் ஐம்பெரும் பூதம்
ஆதி படைத்தனன் ஆசில்பல் ஊழி
ஆதி படைத்தனன் எண்ணிலி தேவரை
ஆதி படைத்தவை தாங்கிநின் றானே.

9.
ஆரும் அறியாத அண்டத் திருவுருப்
பார்முத லாகப் பயிலுங் கடத்திலே
நீரினிற் பால்போல நிற்கின்ற நேர்மையைச்
சோராமற் காணுஞ் சுகம்அறிந் தேனே.

1.
He is the Wind that Blows in Directions Eight
He is the wavy ocean that girdles the earth,
He is the fire,
earth and sky;
Know this:
He is the One that binds and unbinds
The body that holds life precious.

4.
He is Lord Supreme;
He has bull for His mount;
Mighty demons for army;
Boundless is His munificence
He gifts the world for us;
His goodness alone is goodness;
He is of matted locks;
He dwells in the thoughts of all.

5.
In fondness for us He created he seven world
In fondness for us He created the several aeons
In fondness for us He created the five elements (earth, water, fire, air, space)
In fondness for us He created this body breath

6.
Of yore He created worlds seven
Of yore He created celestials countless
Of yore He created species numberless
He who of yore created all
Himself stood as Primal Param Uncreated.

7.
The primal One created the elements five;
The primal One created the endless aeons past;
The primal One created the countless heavenly beings,
The primal One created the and sustained as well.

9.
He is the light within
He is the body without
The precious object,
beloved of immortals above,
The Holy form,
adored of saintly beings below,
He is the pupil of your eyes;
He the object of all Knowledge.

Sankaranarayanan

Thirumurai 8.12.18

சலமுடைய சலந்தரன்றன்
    உடல்தடிந்த நல்லாழி
நலமுடைய நாரணற்கன்
    றருளியவா றென்னேடீ
நலமுடைய நாரணன்தன்
    நயனம்இடந் தரனடிக்கீழ்
அலராக இடஆழி
    அருளினன்காண் சாழலோ.

O friend,
of yore He slit the body of puissant Salandaran With a sprocket wheel.
What made Him gift it Graciously to Naarayana blessed with weal?
As Naarayana blessed with weal gouged an eye Of his and offered it as a flower in his worship,
At the feet of Hara,
He in grace gifted it,
Chaazhalo !

Thirumurai 2.48.7

சக்கரமாற் கீந்தானுஞ் சலந்தரனைப் பிளந்தானும்
அக்கரைமே லசைத்தானும் அடைந்தயிரா வதம்பணிய
மிக்கதனுக் கருள்சுரக்கும் வெண்காடும் வினைதுரக்கும்
முக்குளநன் குடையானு முக்கணுடை யிறையவனே.

the Lord who gave the discus(chakram) to Mal(Vishnu) who tied round his waist bones.
and who has the good three tanks - which drive away sins and Veṇkāṭu which showered
grace in an abundant measure when the white-coloured elephant by name
Ayirāvatam reached that place and worshipped the Lord is the Lord who has three eyes.

Thirumurai 3.109.6

சக்கரம் வேண்டுமால் பிரமன்காணா
மிக்கவர் கயிலை மயேந்திரரும்
தக்கனைத் தலையரி தழலுருவர்
அக்கணி யவராரூ ரானைக்காவே.

superior person who could not be seen by Mal(Vishnu) who got a discus on request, and by
Piramaṉ who is in Kayilai and Mayēṉtiram who has a body like fire and who cut off the head of
Takkaṉ who has as his ornaments uruttirākkam is in Ārūr and Āṉaikkā .

Thirumurai 9.29.9

பாலுக்குப் பாலகன் வேண்டி அழுதிடப்
    பாற்கடல் ஈந்தபிரான்
மாலுக்குச் சக்கரம் அன்றருள் செய்தவன்
    மன்னிய தில்லைதன்னுள்
ஆலிக்கும் அந்தணர் வாழ்கின்ற சிற்றம்
    பலமே இடமாகப்
பாலித்து நட்டம் பயிலவல் லானுக்கே
    பல்லாண்டு கூறுதுமே.

When Upamanyu, son of sage Vyagrapada
Cried for milk getting it not, Lord pooled
The lactic sea and once upon a time
He endowed the fair Maal with divine Discus;
Holding Mystic Tillai spatium ever
As His prime Dais for Andanars to gaze
He dances the Dance gracing us. Blessed May we
Hail our Lord to abide Eternal Eons.

Thirumurai 10.2.2.4

எங்கும் கலந்தும்என் உள்ளத் தெழுகின்ற
அங்க முதல்வன் அருமறை யோதிபாற்
பொங்குஞ் சலந்தரன் போர்செய்ய நீர்மையின்
அங்கு விரற்குறித் தாழிசெய் தானே.

The Lord pervades all,
My heart too He fills with joy;
He spoke the Vedas and scriptures all;
Him the haughty Jalandhara challenged in duel
And the Lord with his toe marked a circle
And into it He saw the monster`s final end.

Thirumurai 10.2.6.1

மால்போ தகனென்னும் வண்மைக்கிங் காங்காரங்
கால்போதங் கையினோ டந்தரச் சக்கரம்
மேல்போக வெள்ளி மலைஅம ரர்பதி
பார்போக மேழும் படைத்துடை யானே.

Filled with arrogance as Guru Supreme
Mal vaunted his egoism about;
Then the Lord of the Silver Mountain made the discus fly away
And it orbited around the seven worlds.

Thirumurai 10.2.6.2

சக்கரம் பெற்றுநல் தாமோ தரன்தானும்
சக்கரந் தன்னைத் தரிக்கவொண் ணாமையால்
மிக்கரன் தன்னை விருப்புடன் அற்சிக்கத்
தக்கநற் சத்தியைத் தான்கூறு செய்ததே.

He bestowed on Damodara(Vishnu) the divine discus,
But potent for was it for him to hold
And so he prayed to the Lord in fervour
And the Lord split its power in twain.

Thirumurai 10.2.6.3

கூறது வாகக் குறித்தநற் சக்கரம்
கூறது செய்து கொடுத்தனன் மாலுக்குக்
கூறது செய்து கொடுத்தனன் சத்திக்குக்
கூறது செய்து தரித்தனன் கோலமே.

The Lord splits His power into two,
One half He gave to Vishnu as a chakra,
And the other half as body to Sakti,
And thus He remains.

Thirumurai 10.2.6.4

தக்கன்றன் வேள்வி தகர்த்தநல் வீரர்பால்
தக்கன்றன் வேள்வியில் தாமோ தரன்தானுஞ்
சக்கரந் தன்னைச் சசிமுடி மேல்விட
வக்கி உமிழ்ந்தது வாயுக் கிரத்திலே.

At the crescent-decked head of Veerabhadra
That destroyed the depraved sacrifice of Daksha,
Damodara(Vishnu) aimed his discus;
And then the doughty Lord sent forth a sneeze;
And lo!
A gusty tempest blew
And down fell discus powerless against God Supreme.

Thirumurai 11.16.24

சக்கரத்தால் ஈர்ந் தரிதன் தாமரைக்கண் சாத்துதலும்
மிக்கஃதன் றீந்த விறல்போற்றி அக்கணமே

With discus destroyed him; That Maal offered
His eye as flower to your feet for the triumph.

Lunar Astrology

What is lunar astrology ?

Lunar astrology is about analyzing the horoscope with a special focus on the signficance of moon in the natal chart, and how that moon continues to produce effects on the natal chart with its constant movement throughout the zodiac.

How to track the lunar transit with our chart ?

There are various ways. But primarily, "track" the effects as may seen in your daily life as the moon moves around the chart and "triggers" or "strikes" each and every planet during that journey. Use an ephemeris to determine these constant movements and strikes, and be diligent about the events that happen during or very close to that time in the real world.

What event can be seen from this tracking ?

The depends on the "stories" that each of the triggered planets in the different charts have to tell. If you don't first know the stories capable of being produced intrinsically by each planet in the chart, then you cannot "project a story" into fruition during the "strikes". The strike merely helps to "bring out" the story into the real world. Tracking the moon gives you a monthly opportunity to see how every bit of your horoscope will behave and what kind of results it will yield.

There is no doubt to rule over Sivalokam after death

Thirupugalur 

Golden gifts.

A devotee of his is celebrated under the name of Kol-puli-Nayanar. At his earnest request Sundarar visited him and was received with extraordinary pomp, the chieftain bringing out his two daughters, whom he presents to him to be his slaves. The saint receives them with the words 'They shall be my daughters', and in the kindliest manner conversed with them and gave them presents. The incident throws light upon the habits and feelings of the time. From thence Sundarar returned home, and found that Paravaiyar was, as usual, in want of supplies, and the more so as a great feast was at hand. Accordingly he set out to the town of Pugalur and going to the temple implored the assistance of the god, and afterwards retiring to the neighbouring monastery (or choultry), gathered together some bricks which had been brought in for repairs, and piled them up as a kind of pillow, spreading over them his upper garment. He thus went to sleep, and when he awoke, behold! the bricks were gold, a wonderful circumstance which he commemorated in a suitable ode.

Greatness of Thirupugalur Temple 

This is the sacred land where Saint Tirunavukkarasar respectfully known as Appar Adigal attained salvation after serving the Lord by cleaning Shiva temple grounds and paths to enable devotees to walk comfortably with an instrument in his hands called Uzhavaram.  This land is praised as Salvation Centre.  Appar festival begins 10 days before Chithirai Sadayam Star dayin April-May.  The events includes his home coming from the Jains, the greatness of his Uzhavaram, dance of Deva women and his merging with Lord at the midnight of the fourth day festival.  Every devotee would be moved to see this episode only with tears in his/her eyes.

There are two shrines in the same temple for Saint Appar Adigal and Saint Sundarar.  Lord Agnipureeswar (Swayambumurthi), also praised as Sharanyapureeswarar, Pratyaksha Varadar and Konapiran is gracing devotees from a shrine.  Mother Karundhar Kuzhali, also praised as Sulikambal blesses devotees from other shrine.  Lord Vardamaneswarar and Mother Manonmani are in a separate shrine.  Muruga Nayanar served Lord Vardamaneswara by preparing garlands for Him.

This is also the place where Agni Bhagwan worshipped Lord Shiva and got relieved from a curse.  Though he has no form as such, he appears here with two faces, 7 hands, 7 jwala sparks, four horns and 3 feet.  This is a rare Agni Bhagwan idol.

Lord changed the bricks into gold bars for Saint Sundarar in this holy place.  Those building new houses bring bricks to the temples for vasthu and bhoomi puja to make the new building all prosperous.  Also, Mother Karundhar Kuzhali was gifted with a piece of land for her services to a woman in labour pain and is praised as Sulikambal.  There is no and will not be any infant or maternal mortality in this place, a belief people strongly hold.

The temple has a single shrine for Emperor Nala and Sani Bhagwan in the temple.  After Nala came out of a bath from the Bana Theertha, a voice from Sani Bhagwan said that He would leave the king from his adverse aspects at Tirunallar 7 km far from this place.  Saturn-Sani Bhagwan is this temple is praised as Anugraha Sani – merciful Sani.

The grace of Mother Karundhar Kuzhali towards Her devotees is boundless.  Sool in Tamil means pregnancy.  As She took care of a woman during her labour time and ensured safe delivery of the child, She is praised as Sulikambal.  Women strongly believe that nothing untoward would happen to them or the child as they under the direct grace of Mother Sulikambal.  People pray to Her offering vastras for child boon. 

Three Murthis in the temple, Bhoodeshwarar, Varthamaneswarar and Bhavishyeswarar are the symbols of past, present and future.  This is the birth place of Muruga Nayanar who worshipped Varthamaneswarar offering garlands made by him.  He has three faces – human, bird and a swine.  As devas sought asylum here for protection from the threats of demons, the place is also praised as Pugazhoor.

Vasthu purity is an important basis for constructing buildings.  This is a science that deals with the designing of the apartments in a particular direction – Kitchen, bathrooms, main hall, bedrooms etc. – at appropriate sides.  This would avoid any invisible troubles entering then.This is a temple noted for Vasthu prayer.  Before beginning the construction, people use to bring the bricks to the temple, perform archanas and take them back for the building work. 

Thirumurai 7.34 - Pathigam to get food and cloth without problem.
1.
தம்மை யேபுகழ்ந் திச்சை பேசினுஞ்
    சார்கி னுந்தொண்டர் தருகிலாப்
பொய்ம்மை யாளரைப் பாடா தேயெந்தை
    புகலூர் பாடுமின் புலவீர்காள்
இம்மை யேதருஞ் சோறுங் கூறையும்
    ஏத்த லாம்இடர் கெடலுமாம்
அம்மை யேசிவ லோகம் ஆள்வதற்
    கியாதும் ஐயுற வில்லையே.
2.
மிடுக்கி லாதானை வீம னேவிறல்
    விசய னேவில்லுக் கிவனென்று
கொடுக்கி லாதானைப் பாரி யேயென்று
    கூறி னுங்கொடுப் பாரிலை
பொடிக்கொள் மேனியெம் புண்ணி யன்புக
    லூரைப் பாடுமின் புலவீர்காள்
அடுக்கு மேலம ருலகம் ஆள்வதற்
    கியாதும் ஐயுற வில்லையே.
3.
காணி யேற்பெரி துடைய னேகற்று
    நல்ல னேசுற்றம் நன்கிளை
பேணி யேவிருந் தோம்பு மேயென்று
    பேசி னுங்கொடுப் பாரிலை
பூணி பூண்டுழப் புட்சி லம்புந்தண்
    புகலூர் பாடுமின் புலவீர்காள்
ஆணி யாய்அம ருலகம் ஆள்வதற்
    கியாதும் ஐயுற வில்லையே.
4.
நரைகள் போந்துமெய் தளர்ந்து மூத்துடல்
    நடுங்கி நிற்கும்இக் கிழவனை
வரைகள் போல்திரள் தோள னேயென்று
    வாழ்த்தி னுங்கொடுப் பாரிலை
புரைவெள் ளேறுடைப் புண்ணி யன்புக
    லூரைப் பாடுமின் புலவீர்காள்
அரைய னாய்அம ருலகம் ஆள்வதற்
    கியாதும் ஐயுற வில்லையே.
5.
வஞ்ச நெஞ்சனை மாச ழக்கனைப்
    பாவி யைவழக் கில்லியைப்
பஞ்ச துட்டனைச் சாது வேயென்று
    பாடி னுங்கொடுப் பாரிலை
பொன்செய் செஞ்சடைப் புண்ணி யன்புக
    லூரைப் பாடுமின் புலவீர்காள்
நெஞ்சில் நோயறுத் துஞ்சு போவதற்
    கியாதும் ஐயற வில்லையே.
6.
நலமி லாதானை நல்ல னேயென்று
    நரைத்த மாந்தனை யிளையனே
குலமி லாதானைக் குலவ னேயென்று
    கூறி னுங்கொடுப் பாரிலை
புலமெ லாம்வெறி கமழும் பூம்புக
    லூரைப் பாடுமின் புலவீர்காள்
அலம ராதம ருலக மாள்வதற்
    கியாதும் ஐயுற வில்லையே.
7.
நோய னைத்தடந் தோள னேயென்று
    நொய்ய மாந்தனை விழுமிய
தாயன் றோபுல வோர்க்கெ லாமென்று
    சாற்றி னுங்கொடுப் பாரிலை
போயு ழன்றுகண் குழியா தேயெந்தை
    புகலூர் பாடுமின் புலவீர்காள்
ஆய மின்றிப்போய் அண்ட மாள்வதற்
    கியாதும் ஐயுற வில்லையே.
8.
எள்வி ழுந்திடம் பார்க்கு மாகிலும்
    ஈக்கும் ஈகில னாகிலும்
வள்ள லேஎங்கள் மைந்த னேயென்று
    வாழ்த்தி னுங்கொடுப் பாரிலை
புள்ளெ லாஞ்சென்று சேரும் பூம்புக
    லூரைப் பாடுமின் புலவீர்காள்
அள்ளற் பட்டழுந் தாது போவதற்
    கியாதும் ஐயுற வில்லையே.
9.
கற்றி லாதானைக் கற்று நல்லனே
    காம தேவனை யொக்குமே
முற்றி லாதானை முற்ற னேயென்று
    மொழியி னுங்கொடுப் பாரிலை
பொத்தி லாந்தைகள் பாட்ட றாப்புக
    லூரைப் பாடுமின் புலவீர்காள்
அத்த னாய்அம ருலகம் ஆள்வதற்
    கியாதும் ஐயுற வில்லையே.
10.
தைய லாருக்கொர் காம னேசால
    நலவ ழகுடை ஐயனே
கையு லாவிய வேல னேயென்று
    கழறி னுங்கொடுப் பாரிலை
பொய்கை வாவியின் மேதி பாய்புக
    லூரைப் பாடுமின் புலவீர்காள்
ஐய னாய்அம ருலகம் ஆள்வதற்
    கியாதும் ஐயுற வில்லையே.
11.
செறுவி னிற்செழுங் கமலம் ஓங்குதென்
    புகலூர் மேவிய செல்வனை
நறவம் பூம்பொழில் நாவ லூரன்
    வனப்பகை யப்பன் சடையன்றன்
சிறுவன் வன்றொண்டன் ஊரன் பாடிய
    பாடல் பத்திவை வல்லவர்
அறவ னாரடி சென்று சேர்வதற்
    கியாதும் ஐயுற வில்லையே.

thammai yaepukazh:n thissai paesinugn
saarki nu:ntho'ndar tharukilaap
poymmai yaa'laraip paadaa thaeye:nthai
pukaloor paadumin pulaveerkaa'l
immai yaetharugn soa'rung koo'raiyum
aeththa laamidar kedalumaam
ammai yaesiva loakam aa'lvatha'r
kiyaathum aiyu'ra villaiyae.

midukki laathaanai veema naevi'ral
visaya naevilluk kivanen'ru
kodukki laathaanaip paari yaeyen'ru
koo'ri nungkodup paarilai
podikko'l maeniyem pu'n'ni yanpuka
looraip paadumin pulaveerkaa'l
adukku maelama rulakam aa'lvatha'r
kiyaathum aiyu'ra villaiyae.

kaa'ni yae'rperi thudaiya naeka'r'ru
:nalla naesu'r'ram :nanki'lai
pae'ni yaeviru:n thoampu maeyen'ru
paesi nungkodup paarilai
poo'ni poo'nduzhap pudsi lampu:ntha'n
pukaloor paadumin pulaveerkaa'l
aa'ni yaayama rulakam aa'lvatha'r
kiyaathum aiyu'ra villaiyae.

naraika'l poa:nthumey tha'lar:nthu mooththudal
:nadungki :ni'rkumik kizhavanai
varaika'l poalthira'l thoa'la naeyen'ru
vaazhththi nungkodup paarilai
puraive'l 'lae'rudaip pu'n'ni yanpuka
looraip paadumin pulaveerkaa'l
araiya naayama rulakam aa'lvatha'r
kiyaathum aiyu'ra villaiyae.

vagnsa :negnsanai maasa zhakkanaip
paavi yaivazhak killiyaip
pagnsa thuddanais saathu vaeyen'ru
paadi nungkodup paarilai
ponsey segnsadaip pu'n'ni yanpuka
looraip paadumin pulaveerkaa'l
:negnsil :noaya'ruth thugnsu poavatha'r
kiyaathum aiya'ra villaiyae.

nalami laathaanai :nalla naeyen'ru
:naraiththa maa:nthanai yi'laiyanae
kulami laathaanaik kulava naeyen'ru
koo'ri nungkodup paarilai
pulame laamve'ri kamazhum poompuka
looraip paadumin pulaveerkaa'l
alama raathama rulaka maa'lvatha'r
kiyaathum aiyu'ra villaiyae.

noaya naiththada:n thoa'la naeyen'ru
:noyya maa:nthanai vizhumiya
thaayan 'roapula voarkke laamen'ru
saa'r'ri nungkodup paarilai
poayu zhan'ruka'n kuzhiyaa thaeye:nthai
pukaloor paadumin pulaveerkaa'l
aaya min'rippoay a'nda maa'lvatha'r
kiyaathum aiyu'ra villaiyae.

e'lvi zhu:nthidam paarkku maakilum
eekkum eekila naakilum
va'l'la laeengka'l mai:ntha naeyen'ru
vaazhththi nungkodup paarilai
pu'l'le laagnsen'ru saerum poompuka
looraip paadumin pulaveerkaa'l
a'l'la'r paddazhu:n thaathu poavatha'r
kiyaathum aiyu'ra villaiyae.

ka'r'ri laathaanaik ka'r'ru :nallanae
kaama thaevanai yokkumae
mu'r'ri laathaanai mu'r'ra naeyen'ru
mozhiyi nungkodup paarilai
poththi laa:nthaika'l paadda 'raappuka
looraip paadumin pulaveerkaa'l
aththa naayama rulakam aa'lvatha'r
kiyaathum aiyu'ra villaiyae.

thaiya laarukkor kaama naesaala
:nalava zhakudai aiyanae
kaiyu laaviya vaela naeyen'ru
kazha'ri nungkodup paarilai
poykai vaaviyin maethi paaypuka
looraip paadumin pulaveerkaa'l
aiya naayama rulakam aa'lvatha'r
kiyaathum aiyu'ra villaiyae.

se'ruvi ni'rsezhung kamalam oangkuthen
pukaloor maeviya selvanai
:na'ravam poompozhil :naava looran
vanappakai yappan sadaiyan'ran
si'ruvan van'ro'ndan ooran paadiya
paadal paththivai vallavar
a'rava naaradi sen'ru saervatha'r
kiyaathum aiyu'ra villaiyae.

Meaning of this pathigam
Poets!
though you speak flattering words praising them.
and though you are always by their side.
without praising the hypocrites who are a bundle of lies and who are slaves to worldly pleasures.
praise the greatness of pukalūr of our father.
he will supply you in this birth itself plenty of food and clothing.
you can increase your fame.
the perishing of sufferings will also take place.
there is not the slightest doubt to rule in civalōkam after death.

Poets!
even though you praise one who has no strength as vīmaṉ.
even though you praise one this person is victorious Vicayaṉ himself in archery.
even though you praise one who does not give anything he is pāri himself in liberality there is no one who will give you what you want.
sing the fame of pukalūr of our god who is the embodiment of all virtues and has a body smeared with holy ash.
there will not be the slightest doubt to rule in the world of the celestials which is above the pile of several worlds.

poets!
even if you praise a person who has no landed property, he has extensive lands as his possession!
he is learned and has good conduct.
protecting Kinsmen and relations.
even though you praise he will be hospitable to guests there is no one who will give you anything you want.
sing the fame of cool pukalūr where the birds in the fields make a big noise when the farmers yoke the oxen and plough the fields.
there is not the slightest doubt for you to rule over the heaven residing there as linch-pin to the cart of that world.

poets!
hairs having turned grey all over the body.
the body having become decrepit.
having senility in an advanced stage.
there is no one who will give anything even though you bless this old man whose legs are quivering with old age, as one who possesses globular shoulders as strong as the mountain.
sing the praises of pukalūr which is the abode of Civaṉ who is the embodiment of all virtues and who has a superior white bull.
there is not the slightest doubt to rule over the heaven having become its King

poets!
about one who is a fraudulent person.
a wicked person.
one who commits sins.
one who has no right conduct one who commits the five heinous sins of killing, lying, stealing, drinking and abusing one`s guru.
even if you praise him as the good virtuous person there is no one who will give anything.
sing the praises of pukalūr of Civaṉ who is the embodiment of all virtues and who has a golden catai.
if you do so completely destroying the afflictions of the mind.
there is not the slightest doubt to save yourselves

poets!
praising one who is ugly as having much beauty.
praising one who has grey hairs as a youth no one will give anything even if you say about one who has no noble lineage as having noble birth.
sing the praises of beautiful pukālur where all fields spread the fragrance of lotus flowers.
these is not be the slightest doubt to rule over heaven without being confounded, permanently.

Poets!
praising a sickly person as having big shoulders.
even though you say in public that mean persons are like the excellent mother overflowing in love towards poets.
there is no one who will give you anything.
without going to people, wandering becoming feeble and suffering from sinking of the eyes.
sing the praises of pukalūr of our father.
there is not the slightest doubt to rule ever heaven having gone there, without affliction.

Poets!
even if one is so miserly as to search for a grain of sesame where it fell on the ground.
even if he does not give any thing to the small fly.
there is no one to give you anything even if you praise them as a person of unbounded liberality!
you who are our strength!
sing the praises of beautiful pukalūr where all birds go and flock together.
there is not the slightest doubt to save yourselves from sinking into the mire of worldly life.

Poets!
no one will give you anything even if you praise a person who has no learning as having vast budition and good qualities, is beautiful like the cupid, and who has no ripe knowledge and age, as one who possess those two things.
sing the praise of pukalur where the noise of the owls which like in the hollows of trees never cease.
there is not the slightest doubt about your ruling over the heaven becoming its masters.

poets!
there is none to give you anything even if you emphatically assert that a person who has a detestable appearance is as beautiful as cupid himself, and as one who has a beautiful, personality to be admired at among all males, as and the second of Murukaṉ who holds a vēl in his hand.
sing the praises of pukalūr where the buffaloes dive into the natural big tanks and small tanks.
there is not the slightest for you to rule over heaven having become its masters.

on the Lord who dwells in beautiful pukalūr where fertile lotus flowers grow tall in the fields.
a native of nāvalūr which has gardens having honey.
the father of vaṉappakai.
the son of caṭaiyaṉ.
those who are capable of singing the ten verses composed by uraṉ who has the title of vaṉtoṇdaṉ.
there is not the slightest doubt about they reaching the feet of Civaṉ who is the embodiment of all moral virtues, entering civalōkam after death.

Marriage

Q1. The time when a person is likely to marry is generally indicated by transits or the combinations of the planet ?

Answer: 

First, the provision for the event must first be determined. 

Next, determine the strongest among the marriage giving planets. Then find when such planets will be "triggered" by transits as well as progressions. The more the progressions and transits converge with a common interpretation, the event will happen at that point in time.

Q2. What indicates the apperances of the spouse ?

Answer: 

Simply judge the strength of the planets influencing the 7th, its cusp, and its lord.

Rahu in Lagna or Ascendant

The person has strong foreign elements within himself. He will be "different" from his family's thinking, his family's tradition. 

His personal philosophy will be distant, and his social mix will be awkward. He is in a local body (relative to his community), but his mind and spirit is like that of a different culture. 

Inadvertently, most people with Rahu/1 will end up mixing with people not of his own race, or even marrying spouses out of their own race. Take a look at their best friends; they'll be of different races than himself.

Rajayoga

Rajayoga is an exchange of houses from Kendra (1,4,7,10) to Trikonas (5,9) or vice-versa.

Let say ruler of 9 place in 10th, this yoga it is one of the highest yogas by virtue of exchange between 9/10 lords. When this occurs, the benefit of the yoga supercedes what weakness is inherent in the 10/9 position of the 10th lord.

Such persons will achieve great results with his personal vision and philosophy. Not only is there spiritual (or religious) gratification and achievement, but it will also give him a public presence and will be honored by others.

Gemstones Or Crystal For Your Horoscope

The traditional idea of amplifying one stone that corresponds to a specific planet in order to enhance that corresponding trait is a major misnomer.

What has to be done is to construct a mandala where the configs of the chart are directly addressed.

But basically, if a planet is weak, then its corresponding stone should be appeased.

And this doesn't happen simply by wearing it, but the individual must undergo a bonding process such as a cleansing and consecration of the stone for specific objectives.

Planet and its corresponding gemstone or crystals.

Sun - Diamond

Moon - Pearl, Moon stone

Mars - Coral , Bloodstone

Mercury - Mix Colored Crystals, Such as Blue or Yellow Adventurine

Jupiter - Amethyst

Venus - Malechite, Emerald, Green Adventurine

Saturn - Black stone, Blue Sapphire

Namasivaya

Bless people in auspicious occasions

Thirumurai 3.24

Recite this pathigam for prosperous life of the family members and also to bless people in auspicious occasions

01.
மண்ணின்நல் லவண்ணம் வாழலாம் வைகலும்
எண்ணின்நல் லகதிக்கி யாதுமோர் குறைவிலைக்
கண்ணின்நல் லஃதுறுங் கழுமல வளநகர்ப்
பெண்ணின்நல் லாளொடும் பெருந்தகை யிருந்ததே.
02.
போதையார் பொற்கிண்ணத் தடிசில்பொல் லாதெனத்
தாதையார் முனிவுறத் தானெனை யாண்டவன்
காதையார் குழையினன் கழுமல வளநகர்ப்
பேதையா ளவளொடும் பெருந்தகை யிருந்ததே.
03.
தொண்டணை செய்தொழில் துயரறுத் துய்யலாம்
வண்டணை கொன்றையான் மதுமலர்ச் சடைமுடிக்
கண்டுணை நெற்றியான் கழுமல வளநகர்ப்
பெண்டுணை யாகவோர் பெருந்தகை யிருந்ததே.
04.
அயர்வுளோம் என்றுநீ அசைவொழி நெஞ்சமே
நியர்வளை முன்கையாள் நேரிழை யவளொடுங்
கயல்வயல் குதிகொளுங் கழுமல வளநகர்ப்
பெயர்பல துதிசெயப் பெருந்தகை யிருந்ததே.
05.
அடைவிலோம் என்றுநீ அயர்வொழி நெஞ்சமே
விடையமர் கொடியினான் விண்ணவர் தொழுதெழுங்
கடையுயர் மாடமார் கழுமல வளநகர்ப்
பெடைநடை யவளொடும் பெருந்தகை யிருந்ததே.
06.
மற்றொரு பற்றிலை நெஞ்சமே மறைபல
கற்றநல் வேதியர் கழுமல வளநகர்ச்
சிற்றிடைப் பேரல்குல் திருந்திழை யவளொடும்
பெற்றெனை யாளுடைப் பெருந்தகை யிருந்ததே.
07.
குறைவளை வதுமொழி குறைவொழி நெஞ்சமே
நிறைவளை முன்கையாள் நேரிழை யவளொடுங்
கறைவளர் பொழிலணி கழுமல வளநகர்ப்
பிறைவளர் சடைமுடிப் பெருந்தகை யிருந்ததே.
08.
அரக்கனார் அருவரை யெடுத்தவன் அலறிட
நெருக்கினார் விரலினால் நீடியாழ் பாடவே
கருக்குவாள் அருள்செய்தான் கழுமல வளநகர்ப்
பெருக்குநீ ரவளொடும் பெருந்தகை யிருந்ததே.
09.
நெடியவன் பிரமனும் நினைப்பரி தாயவர்
அடியொடு முடியறி யாவழல் உருவினன்
கடிகமழ் பொழிலணி கழுமல வளநகர்ப்
பிடிநடை யவளொடும் பெருந்தகை யிருந்ததே.
10.
தாருறு தட்டுடைச் சமணர்சாக் கியர்கள்தம்
ஆருறு சொற்களைந் தடியிணை யடைந்துய்ம்மின்
காருறு பொழில்வளர் கழுமல வளநகர்ப்
பேரறத் தாளொடும் பெருந்தகை யிருந்ததே.
11.
கருந்தடந் தேன்மல்கு கழுமல வளநகர்ப்
பெருந்தடங் கொங்கையோ டிருந்தஎம் பிரான்றனை
அருந்தமிழ் ஞானசம் பந்தன செந்தமிழ்
விரும்புவா ரவர்கள்போய் விண்ணுல காள்வரே.

ma'n'nin:nal lava'n'nam vaazhalaam vaikalum
e'n'nin:nal lakathikki yaathumoar ku'raivilai
ka'n'ninal la:hthu'rung kazhumala va'la:nakarp
pe'n'ninal laa'lodum peru:nthakai yiru:nthathae.

poathaiyaar po'rki'n'nath thadisilpol laathenath
thaathaiyaar munivu'rath thaanenai yaa'ndavan
kaathaiyaar kuzhaiyinan kazhumala va'la:nakarp
paethaiyaa 'lava'lodum peru:nthakai yiru:nthathae.

tho'nda'nai seythozhil thuyara'ruth thuyyalaam
va'nda'nai kon'raiyaan mathumalars sadaimudik
ka'ndu'nai :ne'r'riyaan kazhumala va'la:nakarp
pe'ndu'nai yaakavoar peru:nthakai yiru:nthathae.

ayarvu'loam en'ru:nee asaivozhi :negnsamae
:niyarva'lai munkaiyaa'l :naerizhai yava'lodum
kayalvayal kuthiko'lung kazhumala va'la:nakarp
peyarpala thuthiseyap peru:nthakai yiru:nthathae.

adaiviloam en'ru:nee ayarvozhi :negnsamae
vidaiyamar kodiyinaan vi'n'navar thozhuthezhum
kadaiyuyar maadamaar kazhumala va'la:nakarp
pedai:nadai yava'lodum peru:nthakai yiru:nthathae.

ma'r'roru pa'r'rilai :negnsamae ma'raipala
ka'r'ra:nal vaethiyar kazhumala va'la:nakars
si'r'ridaip paeralkul thiru:nthizhai yava'lodum
pe'r'renai yaa'ludaip peru:nthakai yiru:nthathae.

ku'raiva'lai vathumozhi ku'raivozhi :negnsamae
:ni'raiva'lai munkaiyaa'l :naerizhai yava'lodum
ka'raiva'lar pozhila'ni kazhumala va'la:nakarp
pi'raiva'lar sadaimudip peru:nthakai yiru:nthathae.

arakkanaar aruvarai yeduththavan ala'rida
:nerukkinaar viralinaal :neediyaazh paadavae
karukkuvaa 'laru'lseythaan kazhumala va'la:nakarp
perukku:nee rava'lodum peru:nthakai yiru:nthathae.

nediyavan piramanum :ninaippari thaayavar
adiyodu mudiya'ri yaaazhal uruvinan
kadikamazh pozhila'ni kazhumala va'la:nakarp
pidi:nadai yava'lodum peru:nthakai yiru:nthathae.

thaaru'ru thaddudais sama'narsaak kiyarka'ltham
aaru'ru so'rka'lai:n thadiyi'nai adai:nthuymmin
kaaru'ru pozhilva'lar kazhumala va'la:nakarp
paera'rath thaa'lodum peru:nthakai yiru:nthathae.

karu:nthada:n thaenmalku kazhumala va'la:nakarp
peru:nthadang kongkaiyoa diru:nthaem piraan'ranai
aru:nthamizh gnaanasam pa:nthana se:nthamizh
virumpuvaa ravarka'lpoay vi'n'nula kaa'lvarae.

Meaning of this pathigam
one can lead a virtuous life in this world, daily.
if we think about it, nothing will be wanting for the final beatitude.
all things pleasing to the eye will come to us of their own accord.
is the noble-natured god, who was seated along with the eminent lady in the fertile city of Kaḻumalam, well?

saying, the food of milk in the golden cup which is like the flower is harmful when my father was angry, god admitted me into his grace.
he wears an ear-ring in the ear.
is the noble-natured god who was seated with a simple-minded lady in the fertile city of Kaḻumalam, well?

we can save ourselves from sufferings by performing devoted service to god.
in the fertile city of Kaḻumalam the god who has flowers of Indian laburnan on which bees settle and a matted hair coiled like a crown on which there are flowers having honey, and a frontal eye.
is the noble natured god who was seated along with the company of a lady, well?

my mind!
you shake off laziness thinking we are having anxiety!
in the company of the lady wearing suitable ornaments, and bright bangles on the forearm in the fertile city of Kaḻumalam where in the fields the carp leap.
is the noble natured god was seated to praise him by uttering his many names, well?

my mind!
you leave the anxiety thinking we have no place of refuge!
god who has a flag on which is drawn the figure of a bull.
the city which the celestials worship and then wake up from bed.
in the fertile city of Kaḻumalam which has mansions of tall entrance.
is the noble-natured god who was seated with the lady whose gait is like that of the female swan, well?

my mind!
there is no other support for us.
in the fertile city of Kaḻumalam where good brahmins who have learnt the vētam, live.
the noble-natured god who begot and admitted me into his grace.
is the who was seated with a lady of small waist, big sides and ornaments of perfect worksmanship, well?

my mind!
leave telling your grievances to others for redress when several blemishes surround you.
with a lady wearing ornaments suited to her beauty who has a forearm full of bangles.
in the fertile city of Kaḻumalam which is made beautiful by dark gardens.
is the noble-natured god who has matted hairs coiled into a crown on which the crescent whose surface increases in size progressively, well?

when the arakkaṉ who lifted the sacred mountain cried aloud from sorrow.
God squeezed him with his toe when he played upon the long yāḻ melodies.
he granted him a sharp sword The name of that sword is chandrahācam in the fertile city of Kaḻumalam is the noble-natured god who was seated with a lady who bestows increasing grace on devotees, well?

being difficult even to think of him by the tall Māl and Piramaṉ.
the god has a form of fire whose head and feet could not be found out by both of them.
in the fertile city of Kaḻumalam which is beautiful by gardens spreading fragrance is the noble-natured god who was seated with a lady whose gait can be compared to that of the female elephant, well?

People of this world!
save yourselves by reaching the feet of the god, weeding out as useless the sharp pointed words of cakkiyar buddhists and camanar who wear mats tying them with cords.
in the fertile city of Kaḻumalam where gardens are as cool as clouds, thrive.
is the noble-natured god who is in company with the lady who performed big charitable deeds, well?

on our Lord who was in the company of the lady who has big abd broad breasts, in the fertile city of Kaḻumalam where tanks of black mire and honey are on the increase.
the verses of chaste Tamiḻ composed by ñāṉacampantaṉ of rare knowledge of Tamiḻ.
those who recite with desire these, will go to heaven after life in this world, and rule there.