Wednesday, December 4, 2013

let me go tomorrow



Saints Tirugnana Sambandar, Tirunavukkarasar and Sundarar had sung the glory of Lord in their Thevaram hymns.  This is the 20th Lord Shiva temple on the northern bank of Cauvery praised in Thevaram hymns.

Sri Shivaloka Nathar Temple, Tirupunkur-609 112, Nagapattinam district.

Devotees throng the temple for relief from the adverse aspects of serpent planets and sin effects of past birth.  They pray to Lord Shivalokanathar in anthill form for mental peace, employment opportunity, development in professions and it is the strong faith of the devotees that He would not fail them

The temple was earlier known as Punkur temple as it was dense with Punga trees.  Lord is in the form of an anthill, small in size.  Nandhi came a little later.  The first Linga and Nandhi alone brought name and fame to the temple.  As Lord is in the form of an anthill, the Kuvalai- to cover the anthill Linga- is removed on Mondays at about 8.30 p.m. for offering the punugu paste.  Devotees can have the darshan of the Lord only with Kuvalai cover. Once a contest arose between Lord and Mother about their beauty.  Lord said that He would drop a Durba grass with three knots and would accept that she was more beautiful at the place where the grass fell.  This grass fell as five Lingas-Pancha Lingas.  The power of these Lingas are such that they bless the devotees with wedding boon and freedom from curses of past births etc. This is also the temple where Lord directed Nandhi to move a little to grant His darshan to His devotee Nandanar.  Nandhi in the temple has no tongue.  We see Dwarapalakas in all temples with their heads raised.  Here they are polite bowing as if to receive Nandanar the choice devotee of Lord. There is a shrine for Kulam Vettiya Pillayar meaning Lord Vinayaka who dug the tank with the help of Boodhas in a single night to enable Nandanar to have his bath to be blessed with the darshan of Lord. 

Nandanar a farm worker belonging to backward community was a staunch Shiva devotee harbouring a desire to worship Shiva in Chidambaram.  But his boss denied him leave.  He was hoping Naalai Pogalam-let me go tomorrow.  That tomorrow came when his boss granted him leave.  Nandanar was passing through this place where he desired to have the darshan of Lord Shivalokanathar but Nandi was in the way.  The Dwarapalakas informed the Lord that Nandanar was there for His darshan.  Lord ordered Nandhi to move a little so that Nandanar could have a comfortable darshan.  This is a temple that honoured a devotee of highest standard of Bhakti.

Moolavar : Shivaloka Nathar
Amman / Thayar :  Soundarya Nayaki
Thala Virutcham :  Punga tree
Theertham : Vrushba, Devendra and Nandanar theerthams
Agamam / Pooja : Karana Agama
Old year : 1000-2000 years old
Historical Name : Punkur
City : Thirupunkur
District : Nagapattinam


Thirumurai 1.27
திருப்புன்கூர்

பாடல் எண் : 1

முந்தி நின்ற வினைக ளவைபோகச்
சிந்தி நெஞ்சே சிவனார் திருப்புன்கூர்
அந்த மில்லா வடிக ளவர்போலும்
கந்த மல்கு கமழ்புன் சடையாரே.

பாடல் எண் : 2

மூவ ராய முதல்வர் முறையாலே
தேவ ரெல்லாம் வணங்குந் திருப்புன்கூர்
ஆவ ரென்னு மடிக ளவர்போலும்
ஏவி னல்லா ரெயின்மூன் றெரித்தாரே.

பாடல் எண் : 3

பங்க யங்கண் மலரும் பழனத்துச்
செங்க யல்கள் திளைக்குந் திருப்புன்கூர்க்
கங்கை தங்கு சடையா ரவர்போலும்
எங்க ளுச்சி யுறையும் மிறையாரே.

பாடல் எண் : 4

கரையு லாவு கதிர்மா மணிமுத்தம்
திரையு லாவு வயல்சூழ் திருப்புன்கூர்
உரையி னல்ல பெருமா னவர்போலும்
விரையி னல்ல மலர்ச்சே வடியாரே.

பாடல் எண் : 5

பவள வண்ணப் பரிசார் திருமேனி
திகழும் வண்ண முறையுந் திருப்புன்கூர்
அழக ரென்னு மடிக ளவர்போலும்
புகழ நின்ற புரிபுன் சடையாரே.

பாடல் எண் : 6

தெரிந்தி லங்கு கழுநீர் வயற்செந்நெல்
திருந்த நின்ற வயல்சூழ் திருப்புன்கூர்ப்
பொருந்தி நின்ற வடிக ளவர்போலும்
விரிந்தி லங்கு சடைவெண் பிறையாரே.

பாடல் எண் : 7

பாரும் விண்ணும் பரவித் தொழுதேத்தும்
தேர்கொள் வீதி விழவார் திருப்புன்கூர்
ஆர நின்ற வடிக ளவர்போலும்
கூர நின்ற வெயின்மூன் றெரித்தாரே.

பாடல் எண் : 8

மலைய தனா ருடைய மதின்மூன்றும்
சிலைய தனா லெரித்தார் திருப்புன்கூர்த்
தலைவர் வல்ல வரக்கன் றருக்கினை
மலைய தனா லடர்த்து மகிழ்ந்தாரே.

பாடல் எண் : 9

நாட வல்ல மலரான் மாலுமாய்த்
தேட நின்றா ருறையுந் திருப்புன்கூர்
ஆட வல்ல வடிக ளவர்போலும்
பாட லாடல் பயிலும் பரமரே.

பாடல் எண் : 10

குண்டு முற்றிக் கூறை யின்றியே
பிண்ட முண்ணும் பிராந்தர் சொற்கொளேல்
வண்டு பாட மலரார் திருப்புன்கூர்க்
கண்டு தொழுமின் கபாலி வேடமே.

பாடல் எண் : 11

மாட மல்கு மதில்சூழ் காழிமன்
சேடர் செல்வ ருறையுந் திருப்புன்கூர்
நாட வல்ல ஞான சம்பந்தன்
பாடல் பத்தும் பரவி வாழ்மினே.

my mind!
Think of tiruppuṉkūr of Civaṉār, so that accumulated karmams and karmas done in the present birth and yet to bear their fruits in future births may go away from you.
the god who does not know death is the Lord who has golden matted hairs which is naturally fragrant and the fragrance increases due to the flowers worn on it.

He is the chief besides being the trinity of Piramaṉ, Māl and uruttiraṉ the god who is said to be the deity dwelling in tiruppuṉkūr and who is worshipped by all the teVar in the proper manner is he who burnt the three forts of the enemies with a single arrow.

in the fields where lotus flowers blossom.
in tiruppuṉkūr where red carp fish are found playing always.
the god on whose matted hair the Kaṅkai stays is the Lord who dwells on the crown of our head.

the great one who is well-known by his fame and who dwells in tiruppuṉkūr surrounded by fields where along with the waves pearls and big precious stones shedding light move about on the banks.
has red feet on which are strewn flowers of good fragrance.

the god who is praised as the beautiful one who dwells in tiruppuṉkūr so that his sacred form which is like the colour of the coral might shine well.
is the god with a twisted golden matted hair, praised by all.

the god who dwells in tiruppuṉkūr, choosing it as an eminent shrine for him, where in the fields purple indian water lilies are prominent to attract the attention of people, and red paddy crop which has become ready for harvest.
is the one who adorns on his shining and spreading matted hair a white crescent.

in tiruppuṉkūr where in the streets car festival is conducted, which is worshipped and praised by the people of this world and the celestial world.
the god who is suitable to that place is the one who burnt the three forts in which cruelty stayed permanently.

the Lord in tiruppuṉkūr who burnt the three cities of the enemies who were as strong as mountains, with a bow.
he felt joy in having removed the pride of the strong arakkaṉ by the mountain (of Kailācam)

the god who can dance in tirupuṉkūr where he dwells; and who stood as a column of fire to be searched by the Piramaṉ on the lotus flower and Māl, who were skilled in searching for him is the supreme one who practises singing and dancing.

Being at the summit of mean character and having discarded dress (being naked) Do not pay heed to the words of the mad men who eat balls of cooked rice being particular about them.
(People of this world!
) worship with joined hands the Lord Kapāli in tiruppuṉkūr where the flowers open their petals as the bees hum.

on tiruppuṉkūr where great men and wealthy persons dwell.
composed by Nyāṉacampantaṉ who is a native of Kāḻi surrounded by walls of enclosure where there are many storeys, and who is capable of seeking god earnestly.
Live happily by praising God with these ten verses.

Monday, December 2, 2013

recites this pathigam with intention, he will live with increasing prosperity

Lord of the temple is praised by Saints Tirugnana Sambandar and Tirunavukkarasar in their Thevaram hymns.   Says Gnanasambandar, “No miseries would peep in to the life of those worshipping my Lord gracing from Semponpalli with Mother on His left and holding in His hand the Mazhu (axe) and His long hair glittering as golden thread. This is the 42nd Shiva temple on the southern bank of Cauvery praised in Thevaram hymns.

The rays of Sun fall on the presiding deity for 12 days in Chithirai (April-May) in the morning hours when special pujas are performed in the temple. On the ninth day a car festival is celebrated called Soura Mahotsav. Shivalinga in the temple is on a 16 petal lotus designed Avudayar-the peeta. Lord is a swayambumurthy. Rays of Sun fall on the Lord in Chithirai month from 7 to 18.

Sri Semponnarkoil Swarnapureeswarar Temple, Somponpalli – 609309, Nagapattinam district.


It is noteworthy that Sri Mahalakshmi performed penance on Lord Shiva of this temple to have the hands of Vishnu as Her Lord.   Hence, the place has the name Lakshmipuri.  It is also called Indirapuri as Indira worshipped Lord Shiva here to get the weapon Vajrayutha to kill demon Vruddhasura.  The third name of the place is Kandapuri as Lord Muruga worshipped Lord Shiva to destroy demon Tharakasura.

The devotee is at liberty to appeal to Lord for any boon he/she needs.  Those practicing Yoga pray here.

A story goes that when Lord Shiva refused to receive Mother Parvathi back after visiting Her father’s Yajna against His advice, Lord Muruga came to the Mother in the form of Shiva and imparted good advices in this place.  Based on this story, Lord Muruga appears in the temple with an Akshamala.  Shiva appeared in this place only as Veerabadra.  Rathi worshipped Lord Shiva here to get back her husband Manmatha.  Lord Vishnu too had worshipped Lord Shiva here.

Mother Sugantha Kundalambica is praised by many names -Pushpalaki, Dakshayani, Suganthalaki, Suganthavana Nayaki and Maruvar Kuzhali.  It is advised that a dip on the new moon day in Chithirai and Vaikasi Tamil months – April-May and May-June, the devotee can wash off all his/her sins.

Daksha, son of Brahmma gave his daughter Dakshayani to Lord Shiva in marriage.  Yet he intentionally failed to invite Lord Shiva for a yajna he performed.  Mother Dakshayani wanted to correct Her father by visiting the yajna.  But clouded by arrogance and pride, Daksha humiliated his own daughter and Her Lord.  Furious Dakshayani cursed her father that his yajna would not go on.  She also begged Her Lord to destroy the yajna.  Lord Shiva created Veerabadra, Badrakali and others to destroy the yajna along with Daksha.  Dakshayani to wash off Her sin as the daughter of a Shiva opponent performed penance here sitting around five types Agni-fire.  Lord, pleased with Her penance named Her Sugantha Kundalambikai and took Her to bless devotees along with Him in the temple.

Thirumurai 1.025 திருச்செம்பொன்பள்ளி

பாடல் எண் : 1

மருவார் குழலி மாதோர் பாகமாய்த்
திருவார் செம்பொன் பள்ளி மேவிய
கருவார் கண்டத் தீசன் கழல்களை
மருவா தவர்மேன் மன்னும் பாவமே.

பாடல் எண் : 2

வாரார் கொங்கை மாதோர் பாகமாய்ச்
சீரார் செம்பொன் பள்ளி மேவிய
ஏரார் புரிபுன் சடையெம்மீசனைச்
சேரா தவர்மேற் சேரும் வினைகளே.

பாடல் எண் : 3

வரையார் சந்தோ டகிலும் வருபொன்னித்
திரையார் செம்பொன் பள்ளி மேவிய
நரையார் விடையொன் றூரும் நம்பனை
உரையா தவர்மே லொழியா வூனமே.

பாடல் எண் : 4

மழுவா ளேந்தி மாதோர் பாகமாய்ச்
செழுவார் செம்பொன் பள்ளி மேவிய
எழிலார் புரிபுன் சடையெம் மிறைவனைத்
தொழுவார் தம்மேற் றுயர மில்லையே.

பாடல் எண் : 5

மலையான் மகளோ டுடனாய் மதிலெய்த
சிலையார் செம்பொன் பள்ளி யானையே
இலையார் மலர்கொண் டெல்லி நண்பகல்
நிலையா வணங்க நில்லா வினைகளே.

பாடல் எண் : 6

அறையார் புனலோ டகிலும் வருபொன்னிச்
சிறையார் செம்பொன் பள்ளி மேவிய
கறையார் கண்டத் தீசன் கழல்களை
நிறையால் வணங்க நில்லா வினைகளே.

பாடல் எண் : 7

பையா ரரவே ரல்கு லாளொடும்
செய்யார் செம்பொன் பள்ளி மேவிய
கையார் சூல மேந்து கடவுளை
மெய்யால் வணங்க மேவா வினைகளே.

பாடல் எண் : 8

வானார் திங்கள் வளர்புன் சடைவைத்துத்
தேனார் செம்பொன் பள்ளி மேவிய
ஊனார் தலையிற் பலிகொண் டுழல்வாழ்க்கை
ஆனான் கழலே யடைந்து வாழ்மினே.

பாடல் எண் : 9

காரார் வண்ணன் கனக மனையானும்
தேரார் செம்பொன் பள்ளி மேவிய
நீரார் நிமிர்புன் சடையெந் நிமலனை
ஓரா தவர்மே லொழியா வூனமே.

பாடல் எண் : 10

மாசா ருடம்பர் மண்டைத் தேரரும்
பேசா வண்ணம் பேசித் திரியவே
தேசார் செம்பொன் பள்ளி மேவிய
ஈசா வென்ன நில்லா விடர்களே.

பாடல் எண் : 11

நறவார் புகலி ஞான சம்பந்தன்
செறுவார் செம்பொன் பள்ளி மேயானைப்
பெறுமா றிசையாற் பாட லிவைபத்தும்
உறுமா சொல்ல வோங்கி வாழ்வரே.

having a lady who has fragrant tresses of hair, on one half.
sins will rest permanently with those who do not approach the feet of Civaṉ who has a black neck and who dwells in cempoṉpaḷḷi of abundant wealth.

having a lady wearing a bodice on her breasts, on one half.
Karmams will join people who do not meditate upon our Civaṉ who has a twisted golden caṭai of excessive beauty and who dwells in cempoṉpaḷḷi of great eminence.

the defects will not leave those who do not praise Civaṉ who rides on a white bull and who dwells in cempoṉpaḷḷi where the waves in the river poṉṉi in which the sandal-wood and the eagle-wood trees that are found in the mountain come along with the floods, are full.

holding the weapon of a battle-axe.
and having a lady on one half.
there will be no sufferings for those who worship our Civaṉ having a golden twisted caṭai of excessive beauty, who dwells in campoṉpaḷḷi which is very fertile.

being united with the daughter of the mountain.
Karmams will cease to exist, if one worships with the steady mind during night and day, with leaves and plenty of flowers, Civaṉ in cempoṉpalli who has a bow from which he shot an arrow on the forts (of enemies)

the Karmams will not remain if one worship with a steady mind the feet of Civaṉ of dark black neck, who dwells in cempoṉpaḷḷi where in the river which brings with its floods dashing against the banks, eagle-wood also.

along with a lady who has a waist resembling the hood of the cobra.
if one pays obeisance by their bodies to the god who holds in his hand a trident and dwells in cempoṉpaḷḷi where fields are in plenty.
Karmams will not reach him (Even if one does not worship with intention Civaṉ will grant his grace).

placing on the growing golden caṭai a crescent that shines in the sky.
Be happy and save yourselves by reaching the feet themselves of the god who leads a life of wandering to receive alms in the skull which has flesh, and who dwells in cempoṉpaḷḷi which has plenty of honey.

Māl whose colour is like the sable cloud and Piramaṉ whose colour is like gold.
could not know him.
the faults of those who do not meditate with melted hearts upon our blemishless Civaṉ on whose golden caṭai there is water, and who dwells in cempoṉpaḷḷi.

when the camaṇar who have dirty bodies and the buddhists who hold a vessel resembling in shape the skull wander about talking slander which is not fit for talking.
if one says, Civaṉ who dwells in cempoṉpaḷḷi of brilliance.
sufferings will not remain with him.

Nyṉacampantaṉ, a native of pukali which has abundant honey.
these ten verses which were composed with music in order to realise Civan who dwells in cempoṉpaḷḷi full of fields.
if one recites them with intention he will live with increasing prosperity.

Sunday, December 1, 2013

Sivan who grants us his grace to worship him in our minds


The temple is praised in the Thevaram hymns of Saint Tirugnana Sambandar.This is the 113th Shiva temple on the southern bank of Cauvery praised in Thevaram hymns

Sri Vilwaranyeswarar Temple, Tirukollampudur, Chellur-613 705, Via Kudavasal, Tiruvarur District

The east facing temple has a 75 feet tall 5 tier Rajagopuram and two prakaras.  Shrines for Lords Poyyadha Vinayaka, Valampuri Vinayaka, Muruga, Adhi Viswanatha, Gajamuktheeswarar, Panchalingas and Mother Gajalakshmi are in the inner prakara.  Lord Brahmma, Arjuna had worshipped in the temple.  According to epigraphic evidences, the temple could have been built during the reigns Kulothunga III or Rajaraja III

When Saint Tirugnana Sambandar reached this place during his pilgrimage with his followers, he could reach the other side of the river to worship Lord Shiva.  Vettaru River was in spate.  The boatmen left the boat on the bank and went away.  Child saint Sambandar determined not to leave the place without Lord’s darshan here, took a boat and used his devotional verse as the tool to run the boat and reached the other side with the grace of Lord.  He completed the Pathigam- 10 verses then.  He worshipped Lord and stayed in the place that night.  This boat festival is celebrated in the temple on the next day of the new moon day in Aipasi-October-November each year.

திருக்கொள்ளம்பூதூர்

Tirumurai 3.6

பாடல் எண் : 1

கொட்ட மேகம ழுங்கொள்ளம் பூதூர்
நட்டம் ஆடிய நம்பனை யுள்கச்
செல்ல வுந்துக சிந்தை யார்தொழ
நல்கு மாறருள் நம்பனே.

பாடல் எண் : 2

கோட்ட கக்கழ னிக்கொள்ளம் பூதூர்
நாட்ட கத்துறை நம்பனை யுள்கச்
செல்ல வுந்துக சிந்தை யார்தொழ
நல்கு மாறருள் நம்பனே.

பாடல் எண் : 3

குலையி னார்தெங்கு சூழ்கொள்ளம் பூதூர்
விலையி லாட்கொண்ட விகிர்தனை யுள்கச்
செல்ல வுந்துக சிந்தை யார்தொழ
நல்கு மாறருள் நம்பனே.

பாடல் எண் : 4

குவளை கண்மல ருங்கொள்ளம் பூதூர்த்
தவள நீறணி தலைவனை யுள்கச்
செல்ல வுந்துக சிந்தை யார்தொழ
நல்கு மாறருள் நம்பனே.

பாடல் எண் : 5

கொன்றை பொன்சொரி யுங்கொள்ளம் பூதூர்
நின்ற புன்சடை நிமலனை யுள்கச்
செல்ல வுந்துக சிந்தை யார்தொழ
நல்கு மாறருள் நம்பனே.

பாடல் எண் : 6

ஓடம் வந்தணை யுங்கொள்ளம் பூதூர்
ஆடல் பேணிய அடிகளை யுள்கச்
செல்ல வுந்துக சிந்தை யார்தொழ
நல்கு மாறருள் நம்பனே.

பாடல் எண் : 7

ஆறு வந்தணை யுங்கொள்ளம் பூதூர்
ஏறு தாங்கிய இறைவனை யுள்கச்
செல்ல வுந்துக சிந்தை யார்தொழ
நல்கு மாறருள் நம்பனே.

பாடல் எண் : 8

குரக்கி னம்பயி லுங்கொள்ளம் பூதூர்
அரக்க னைச்செற்ற ஆதியை யுள்கச்
செல்ல வுந்துக சிந்தை யார்தொழ
நல்கு மாறருள் நம்பனே.

பாடல் எண் : 9

பருவ ரால்உக ளுங்கொள்ளம் பூதூர்
இருவர் காண்பரி யான்கழ லுள்கச்
செல்ல வுந்துக சிந்தை யார்தொழ
நல்கு மாறருள் நம்பனே.

பாடல் எண் : 10

நீர கக்கழ னிக்கொள்ளம் பூதூர்த்
தேர மண்செற்ற செல்வனை யுள்கச்
செல்ல வுந்துக சிந்தை யார்தொழ
நல்கு மாறருள் நம்பனே.

பாடல் எண் : 11

கொன்றை சேர்சடை யான்கொள்ளம் பூதூர்
நன்று காழியுள் ஞானசம் பந்தன்
இன்றுசொன் மாலைகொண் டேத்த வல்லார்போய்
என்றும் வானவ ரோடிருப் பாரே.

to meditate upon Civaṉ who danced in Koḷḷampūtūr where the costus root spreads its fragrance.
Civaṉ capable of granting us your grace as we worship you in our minds!
Let this boat be propelled to reach the opposite bank to enable us to worship him in person also.

as we think of Civaṉ who dwells in the country in which Koḷḷampūtūr is situated which has fields with crops adjoining tanks.
Civaṉ who grant his grace as we worship you in our minds!
see 1st verse.
Let this boat be propelled to reach the opposite bank to enable us to worship in person also.

as we think of the god who is different from this world and who admitted us as his protege as if he bought us by paying the price, and who is in Koḷḷampūtūr surrounded by coconut trees having clusters of fruits.
Civaṉ who grantes us his grace to worship you in our minds!
see 1st verse.
Let this boat be propelled to reach the opposite bank to enable us to worship you in person also.

as we think of the master who smears himself with white sacred ash and who is in Koḷḷampūtūr where blue nelumbo flowers blossom like the eyes.
Civaṉ who grants us his grace to worship you in our minds!
see 1st verse.
Let this boat be propelled to reach the opposite bank to enable us to worship you in person.

as we think of the spotless god who has a ruddy caṭai and who is permanent in Koḷḷampūtūr where the koṉṟai trees shed flowers like gold.
Civaṉ who grants us his grace to worship you in our minds!
see 1st verse.
Let this boat be propelled to reach the opposite bank to enable us to worship you in person also.

as we think of the god who is desiro us of dancing and who is in Koḷḷampūtūr where the boat reaches the opposite bank by being propelled.
Civaṉ who grants us grace to worship you in our minds!
see 1st verse.
Let the boat be propelled to reach the opposite bank to enable us to worship in person also.

Civaṉ who grants us his grace to worship you in our minds!
see 1st verse.
Let the boat be propelled to reach the opposite bank to enable us to worship in person also the god in Koḷḷampūtūr, who is borne by a bull and who in Koḷḷampūtūr where the river, muḷḷi, comes and approaches the shrine.

Civaṉ who grants us his grace to worship him in our minds!
see 1st verse.
as we think of the cause of all things who destroyed the strength of the arakkaṉ and who is in Koḷḷampūtūr where groups of monkeys are crowded.
Let this boat be propelled to reach the opposite bank to enable us to worship you in person also.

Civaṉ who grants us his grace to worship you in our minds!
see 1st verse.
as we think of the feet of Civaṉ who could not be known by both Māl and Piramaṉ and who dwells in Koḷḷampūtūr where big murrel fish frisk.
see 1st verse.

see 1st verse.
as we think of the god who destroyed the tēras buddhists and amaṇar and who dwells in Kollampūtūr which has fields full of water.
Let this boat be propelled to reach the opposite bank to enable to worship you in person also.

those who are able to praise Civaṉ in Koḷḷampūtūr, who adorns his caṭai with koṉṟai flowers, with the garlands of verses composed today by Nyāṉacampantaṉ of Kāḻi which has many goodthings.
entering into heaven after leaving this world.
will live along with the celestials always.

Sunday, November 24, 2013

Tiruvarur is the only temple that has more number of Thevaram hymns 353

Great Saivite Saints Gnanasambandar, Tirunavukkarasar, Sundarar, Manickavasagar had sung the glory of Lord of the temple in their celebrated Thevaram and Tiruvasagam hymns.  Of the Shiva temples on the southern bank of Cauvery, this is the 87th praised in Thevaram hymns

Margazhi Tiruvadhirai in December-January, Lord Thiagesar granting His Feet darshan – Pada Darshan; 10 day Panguni Uthiraim in March-April with the flag hoisting on the Hastha Star Day of the previous Tamil month Masi, with car festival on the 10th day with the significance of the darshan granted to sage Vyakrapada; 10 day Aadi Pooram in July-August; the Bhoodha Ganas carrying paddy bags to Saint Sundararar on Masi Magam Day in February-March; 

Lord Shiva is a swayambumurthi in the temple. Lord Thiagaraja is praised as the Raja-King of Gods. The temple is huge in size and importance, with 9 Rajagopuras, 80 Vimanas, 12 tall walls, 13 mandaps, 15 wells of Theertha importance, 3 gardens, 3 prakaras, 365 Shiva Lingas representing the days of the year, shrines numbering above 100, 86 Vinayaka idols and temples within the temple numbering above 24. The temple is indeed great, huge, tall and a castle of Hindu Faith designed and built in stone. Those worshipping the Face Darshan of Lord Thiagaraja in Tiruvarur are advised to have His Feet darshan (Pada darshan) in Vilamal, 3 km far from this place. The 1000 pillars constructed many years back were meant to make tents (Pandal in Tamil) during festival days. Abishek is not performed to Lord Thiagaraja but to the Maragatha Linga (precious emerald Linga known as Veedhi Vidanga Linga believed to have been worshipped earlier by Indira) at 8.30 a.m., 11.00 a.m. and at 7.00 p.m. each day. After the abishek is over, the Linga would be placed in a silver box with flowers and covered by a silver vessel. This will be then locked in the presence of officials and placed on the right side of Lord Thiagaraja.

Sri Thiagarajar Temple, Tiruvarur-610 001. Tiruvarur district.

It is noteworthy that Tiruvarur Thiagarajar Temple is a very famous temple in Tamilnadu.  To have a thorough look and worship all the shrines, it needs a full day for a devotee.  While we find shrines of other deities in temples small in size, here each one is big in size and importance.  Lords Veedhi Vidanga Vinayaka, Achaleswara (mentioned in Thevaram hymns separately), Mothers, Kamalambal, Neelothpalambal, Roudra Durga, Lord Runa Vimochana, Lords Dakshinamurthy, Annamaleswarar, Vottu Thiageswarar, the temple where Tulasiraja worshipped, Anandeeswarar, Siddheeswarar. Hayagriswarar, the Linga worshipped by Indira, Cheranatha, Pandyanatha, Aadakeswara, Pulasthya Raksheswara, Pulasthya Brahmmeswara, Bhaktheswara, Vilwatheeswara and Lord Padaleswara grace the devotees from these shrines.  Sri Anjaneya Shrine is at the Rajagopura entrance.  People worship here to get back what they lost.  Lord Dharma Sastha graces along with Vinayaka in the shrine at the inner prakara of Mother’s shrine.  The shrine of Lord Mattru Uraitha Vinayaka – Vinayaka who confirmed the quality touch of the gold coin-is on the bank of the tank opposite the West Tower-Gopura.  A canal called Sengazhuneer Odai is just a km from the temple.

Devotees pray to Rahukala Durga for promotion and favourable transfers.  Lord Shanmuga protects His devotees from enemies.  Devotees pray to Mother Neelotpalambal and consume the nivedhana milk of the Arthajama Puja to get children.  Lord Runa Vimochana Perumal relieves His devotees from debt burdens and ailments.

Devotees pray to presiding deity Lord Thiagaraja for wedding, child, high ranks in education, employment opportunities, progress in trade and profession and promotion boons.  Prayer to Lord Vanmeekanatha purifies the devotee of his/her sins, eliminates bad traits in him/her as arrogance etc. and grants many boons including prosperity.  Students pray at the Akshara Peeta-a small mount with letters-for gaining excellence in education. 

Devotees pray to Lord Brahmma Nandhi behind Lord Veedi Vidanga Vinayaka and fill the tub with water seeking rain. They offer Arugu-grass to Him and feed their cows for milk yield. Mother Kamalambal grants wisdom to devotees and even dumbs become teachers to Guru Bhagwan-Jupiter. People offer milk rice nivedhana to Mother on Navami day in Purattasi (September-October) for salvation. Those suffering from fever and seeking longevity offer Pepper Rasam to Lord Juradeva. Usual commitments as feeding-Annadhanam-, distributing the nivedhana to devotees, contribution for the renovation of the temple are also followed. For total success in life, devotees perform Mukundarchana to Lord Thiagarajar which was performed by Lord Vishnu. Emperor Mushukunda also did this for success.

A demon Satya Gupta by name was a threat to Devas.  He was caught in the aspect of Sani Bhagwan-Planet Saturn.  Enraged, he began to fight with the planets.  The planets appealed to Lord Shiva for protection.  Lord Shiva protected the planets from the demon on condition that they should ever be soft to His devotees.  Hence, the planets are on straight line facing the Lord.  Lord Vinayaka is also in this shrine monitoring them whether they are soft to Shiva devotees.  It thus became the rule that though devotees visit Tirunallaru for Saturn reliefs, they should visit Tiruvarur also for worship for total relief.

Of the 84 Vinayakas in the temple, four are highly revered.  Those suffering from nervous problems and high tensions, pray to Nadukkam Theertha Vinayaka-Vinayaka protecting from trembling.  Women pray to Mattru Uraitha Vinayaka in the West Gopuram gate before buying jewels as He confirmed the touch quality of the gold awarded by Lord Shiva to Saint Sundarar.  Lord Mooladhara Ganapathi appears reclining and dancing on a blossomed Lotus near a five headed serpent.  Those practicing yoga worship here.  Lord Vadhabi Gnapathi graces the devotees from the first prakara of Lord’s shrine.  Great Carnatic Musician Sri Muthuswamy Dishitha, one among the Trinity of Carnatic Music heritage, sang the famous song “Vadhabi Ganapathim Baje” from this shrine which musicians sing first in their concerts. 
Presiding Lord Vanmeeka Nathar appears gracefully wearing the crescent moon on His head.  So Mother Kamalambal grants darshan to Her devotees with this Crescent Moon jewel.  She represents Mothers Saraswathi, Parvathi and Mahalakshmi holding a flower in the right hand, keeping the left on the hip and legs on a Yoga posture as an Empress.

It is the custom in Shiva Temples to end the Thevaram hymn chanting with the word Tiru Chittrambalam as followed in Chidambaram temple, considered to be first among all Shiva temples in the state.  But the antiquity of Tiruvarur temple is more ancient, hence, this word is not chanted here. 
The Car (Rath) of Tiruvarur is biggest in size and beautiful in the make. 
Lord Shiva had played 364 miracles (Tiruvilayadal in Tamil) in Tiruvarur alone.  As salvation is a certainty for those born in Tiruvarur, Yama the God of Death had no work here.  He prayed to Lord and took the place of Chandikeswara.  Those with fear of death pray here.  Those joyous of the face darshan of Lord in Tiruvarur also visits Vilamal temple, 3 km from here, for Feet Darshan for complete satisfaction.   The Feet Darshan secret is said to be behind the sanctum sanctorum of Lord.
Aadi Pooram festival (July-August) is celebrated for procession deity Manonmani.  Akasha Bhairava above the Kamalambika tower is acting as a custodian deity.   Lord Bhairava of the temple is praised as Siddhi Bhairava.  Kamalamuni Siddhar Peetam is near the sanctum sanctorum of Mother Kamalambika on the right side. 

Siva Surya graces from the prakara of Lord Shiva Shrine.  He looks tall.  Those facing debt burdens pray to Runa Vimochana Easwara.  Lord Thiagaraja grants darshan on the Tiruvadhirai day in December from the Raja Narayana Mandap.  There are Ashta (eight) Durga shrines in the temple.  Sri Muthuswami Dishithar had sung the glory of the Durgas in his celebrated Keerthanas. 
Abishek is dedicated to Mother Mahalakshmi with gold coins on Deepavali in October-November and on Akshaya Tritiya day in April-May by devotees.
  
Lord Dakshinamurthi graces from the outer wall of Ambika shrine with six disciples, though generally only four are with Him in other Shiva temples. 
Mother Neelotpalambal graces from a separate shrine with a maid holding Lord Muruga.  The idol of mother is beautifully made as if She is touching the head of Her beloved son Muruga. 
We see Mother Saraswathi with a Veena only.  She does not hold one here but graces the devotees in a penance posture.  Lord Hayagriva, in his own shrine appears performing Shiva Puja.  He is praised as Hayagriswarar.  Students pray to Mother Saraswathi and Lord Hayagriswarar to shine in their academic pursuits.

A contest arose in the celestial world on the integrity level in people.  Yama the God of Death claimed the title.  But Maharshi Narada denied His right and said that King Manu Needhi Chola alone deserved the title.  Yama came to earth in the guise of a cow with a calf.  Prince Veedhi Vidangan was coming on the royal street of the city. The calf was caught under the wheels and was killed in the accident.  The Mother Cow (Yama) rushed to the king’s palace and sought justice from the king-Manu Needhi Cholan.  The king decided that he also should endure and suffer the pain of losing a child as the cow.  He drove the rath on the body of his son, delivered justice with life for life.  Yama appeared before the king recognizing his integrity and sense of justice to non-humans too and disappeared.  This episode is depicted in a stone rath sculpture placed in the northeast corner of the temple.
Generally, Nandhi is seen in a sitting position in Shiva temples except in Saptha Vidanga places around Tiruvarur.  All of them are metal idols.

In temples facing east, Lord’s procession also begins from east facing entrance.  In Tiruvarur, the procession begins from the northeast entrance called Vittavasal.  Emperor Mushukunda installed the Linga in the temple which he got from Indira.  But Indira wanted to take back the Linga to his own Devaloka.  It is believed that Indira is waiting at the east entrance to use the opportunity when Lord passes through this gate.  To fool Indira, the devotees are taking Lord in procession through the northeast entrance, so that he may not enter the temple to steal the Linga.  Even majority of the devotees use the northeast gate only to enter the temple avoiding the east. 

Tiruvarur is the only temple that has more number of Thevaram hymns-353, Ganasambandar 55, Tirunavukkarasar 208 and Sundarar 87 and Manickavasagar 3.

It is noteworthy that Mother Kamalambikai is greatly revered as a total personification of the devotional hymn Lalitha Sahasra Nama.  Hence, the Theertha is praised as Kamalalayam.  Bathing in this Theertha on the Panguni Uthiram day in March-April is considered equal to 12 Mahamagam bath in Kumbakonam.  It should be noted that Mahamagam occurs only once in 12 years.

It is also noteworthy that Pradosha puja is performed in this temple every day – known as Nitya Pradosham – from 4.30 p.m. to 6.00 p.m. though it is performed once in a fortnight in other temples.  It is said that all the Devas – 33 crore in  number (Muppathu Mukkodi in Tamil) are worshipping Lord Thiagaraja during this puja.  The devotee worshipping the Lord in the evening is blessed by all Gods, it is believed.

Indira had to face a battle against the demons.  He was able to win the war with the help of Emperor Mushukunda.  As a token of his gratitude to the emperor, Indira wanted to present a gift and asked what he wanted.  Mushukunda asked for the Shivalinga in Indira’s possession which was worshipped by Lord Vishnu keeping it on His chest.  Indira did not want to part with the Linga.  He made a trick with divine sculptor Mayan making six such Lingas and presented them to the emperor.  Mushukunda found them fake.  With no means to convince the emperor, Indira offered the Original Shivalinga along with the six new ones too making the total to 7.  The original Shiva Linga is in Tiruvarur.  Other six are installed in other temples all collectively known as Saptha Vidanga Sthalas.  Saptha in Sanskrit means seven.  They are installed as 1) Veedhi Vidangar in Tiruvarur, 2) as Nagara Vidangar in Tirunallaru, 3) as Sundara Vidangar in Nagapattinam, 4) as Avani Vidangar in Tirukuvalai, 5) as Neela Vidangar in Tiruvaimur, 6) as Bhuvani Vidangar in Vedaranyam and 7) as Adi Vidangar in Tirukaravasal.  These Lingas are tiny in size and could be held in hand.  These places are called Saptha Vidanga Sthalas where Lord Shiva is worshipped as Thiagarajar.

திருவாரூர்

பாடல் எண் : 1

சித்தந் தெளிவீர்காள் , அத்த னாரூரைப்
பத்தி மலர்தூவ , முத்தி யாகுமே.

பாடல் எண் : 2

பிறவி யறுப்பீர்காள் , அறவ னாரூரை
மறவா தேத்துமின் , துறவி யாகுமே.

பாடல் எண் : 3

துன்பந் துடைப்பீர்காள் , அன்ப னணியாரூர்
நன்பொன் மலர்தூவ , இன்ப மாகுமே.

பாடல் எண் : 4

உய்ய லுறுவீர்காள் , ஐய னாரூரைக்
கையி னாற்றொழ , நையும் வினைதானே.

பாடல் எண் : 5

பிண்ட மறுப்பீர்காள் , அண்ட னாரூரைக்
கண்டு மலர்தூவ , விண்டு வினைபோமே.

பாடல் எண் : 6

பாச மறுப்பீர்காள் , ஈச னணியாரூர்
வாச மலர்தூவ நேச மாகுமே.

பாடல் எண் : 7

வெய்ய வினைதீர , ஐய னணியாரூர்
செய்ய மலர்தூவ , வைய முமதாமே.

பாடல் எண் : 8

அரக்க னாண்மையை , நெருக்கி னானாரூர்
கரத்தி னாற்றொழத் , திருத்த மாகுமே.

பாடல் எண் : 9

துள்ளு மிருவர்க்கும் , வள்ள லாரூரை
உள்ளு மவர்தம்மேல் , விள்ளும் வினைதானே.

பாடல் எண் : 10

கடுக்கொள் சீவரை , அடக்கி னானாரூர்
எடுத்து வாழ்த்துவார் , விடுப்பர் வேட்கையே.

பாடல் எண் : 11

சீரூர் சம்பந்தன் , ஆரூ ரைச்சொன்ன
பாரூர் பாடலார் , பேரா ரின்பமே.



Thirumurai 1. 091 திருவாரூர்

People who wish your minds to be cleared of their impurities of the soul!
if you worship Ārūr of our father scattering the flowers of piety.
you will obtain salvation.

People who want to cut at the root of births.
praise without forgetting Ārūr of Civaṉ who is the embodiment of virtues.
it will lead to the way of renunciation.

people who want to remove sufferings completely.
to worship scattering flowers made of gold and silver, Ārūr of Civaṉ who lends beauty to it.
you will obtain happiness in this world and eternal bliss hereafter.

people who want to save yourselves!
to worship with joined hands Ārūr belonging to Civaṉ the master.
the karmam-s will perish of their own accord.

people who want to end completely being born in human bodies!
if you scatter flowers obtaining sight of Ārūr of the god Civaṉ.
Your Karmams will leave you being separated from you.

People who cut at the root of bondage which has been with you for a long time.
to worship with fragrant flowers beautiful Ārūr of Civan your piety will increase.

(People of the world!
) if you want the cruel Karmams to leave you.
to worship, scattering red flowers, the beautiful Ārūr of our master.
you shall become the sole monarch of this world.

to worship with joined hands Ārūr of Civaṉ who squeezed the strength of Arakkaṉ one will become perfect.

on those who always meditate upon Ārūr of Civan who showed his benevolence towards Māl and Piramaṉ who were haughty, each thinking that he was greater than the other.
Karmams will get separated of their own accord.

those who praise loudly in a high pitch of voice Ārūr of Civaṉ who controlled camaṇar who eat gall-nuts, and buddhists who cover their bodies with a blanket by name, ciVaram.
will give up all desires.

those who are able to recite the songs which have spread throught Tamiḻ Nāṭu and which were composed on Ārūr by Campantaṉ whose eminence has spread everywhere, will obtain happiness which will never leave them.

Monday, November 18, 2013

Repeat Namasivaya ten million times

The Lord of the temple is praised by saint Thirunavukkarasar in his Thevaram hymns.  This is the 103rd Lord Shiva temples on the southern bank of Cauvery praised in Thevaram hymns.

Lords Vishnu, Brahmma, Vinayaka, Muruga and Indira, Sages Sukha Muni and Agasthya had worshipped Lord in this temple performing pujas.

A king Vasudevan by name visited a number of Shiva temples seeking child boon.  They worshipped with all devotion Lord Nellaiappar in Tirunelveli.  Pleased with their prayer, Lord made Mother Parvathi to be their daughter and Mother Chamundeeswari Her nurse.  When the royal couple was bathing in Tambiraparani, they found a conch floating on a lotus.  When they picked up the conch, it became a child.  They named the child Rajarajeswari.  As decided by the Lord, Chamundeeswari one of the Saptha Madhas became the nurse of the child Raja Rajeswari.  Rajarajeswari mastered all the arts and the Chess in particular.  The king announced that the one who won his daughter in Chess would have her hand.  But none could win her.

The king, as advised by a sage took on a pilgrimage with his queen, daughter, her nurse Chamundeeswari and his convoy.  Lord in the guise of a Siddha met the king and claimed that he was master of chess game.  The king welcomed the siddha to play with his daughter.  Lord in the guise of Siddha won the game and appeared in His true form granting darshan to all.  The divine wedding took place with all its due pomp and splendour.  As Lord won the chess game-Chaturangam in Tamil, came to be praised as Chaturanga Vallaba Nathar.  Ambica and Her nurse Chamundeeswari bless the devotees from their respective shrines.  Lord joined them to stay in the place.  The temple came into being.

Sri Chaturanga Vallabha Nathar Temple, Poovanur-612 803, Needamangalam Taluk, Tiruvarur district.

Thirumurai 5.65

திருப்பூவனூர்

பாடல் எண் : 1

பூவ னூர்ப்புனி தன்திரு நாமந்தான்
நாவில் நூறுநூ றாயிரம் நண்ணினார்
பாவ மாயின பாறிப் பறையவே
தேவர் கோவினுஞ் செல்வர்க ளாவரே.

பாடல் எண் : 2

என்ன னென்மனை யெந்தையெ னாருயிர்
தன்னன் தன்னடி யேன்தன மாகிய
பொன்னன் பூவனூர் மேவிய புண்ணியன்
இன்ன னென்றறி வொண்ணா னியற்கையே.

பாடல் எண் : 3

குற்றங் கூடிக் குணம்பல கூடாதீர்
மற்றுந் தீவினை செய்தன மாய்க்கலாம்
புற்ற ராவினன் பூவனூ ரீசன்பேர்
கற்று வாழ்த்துங் கழிவதன் முன்னமே.

பாடல் எண் : 4

ஆவின் மேவிய ஐந்தமர்ந் தாடுவான்
தூவெண் ணீறு துதைந்தசெம் மேனியான்
மேவ நூல்விரி வெண்ணியின் தென்கரைப்
பூவ னூர்புகு வார்வினை போகுமே.

பாடல் எண் : 5

புல்லம் ஊர்தியூர் பூவனூர் பூம்புனல்
நல்ல மூர்திநல் லூர்நனி பள்ளியூர்
தில்லை யூர்திரு வாரூர்சீர் காழிநல்
வல்ல மூரென வல்வினை மாயுமே.

பாடல் எண் : 6

அனுச யப்பட் டதுவிது வென்னாதே
கனிம னத்தொடு கண்களும் நீர்மல்கிப்
புனித னைப்பூவ னூரனைப் போற்றுவார்
மனித ரில்தலை யான மனிதரே.

பாடல் எண் : 7

ஆதி நாதன் அமரர்க ளர்ச்சிதன்
வேத நாவன்வெற் பின்மடப் பாவையோர்
பாதி யானான் பரந்த பெரும்படைப்
பூத நாதன்தென் பூவனூர் நாதனே.

பாடல் எண் : 8

பூவ னூர்தண் புறம்பயம் பூம்பொழில்
நாவ லூர்நள் ளாறொடு நன்னிலங்
கோவ லூர்குட வாயில் கொடுமுடி
மூவ லூருமுக் கண்ணனூர் காண்மினே.

பாடல் எண் : 9

ஏவம் ஏது மிலாஅம ணேதலர்
பாவ காரிகள் சொல்வலைப் பட்டுநான்
தேவ தேவன் திருநெறி யாகிய
பூவ னூர்புகு தப்பெற்ற நாளின்றே.

பாடல் எண் : 10

நார ணன்னொடு நான்முக னிந்திரன்
வார ணன்கும ரன்வணங் குங்கழற்
பூர ணன்திருப் பூவனூர் மேவிய
கார ணன்னெனை யாளுடைக் காளையே.

பாடல் எண் : 11

மைக்க டுத்த நிறத்தரக் கன்வரை
புக்கெ டுத்தலும் பூவனூ ரன்னடி
மிக்க டுத்த விரல்சிறி தூன்றலும்
பக்க டுத்தபின் பாடியுய்ந் தானன்றே.

the sins of those who repeat the names of the pure god, Civaṉ who dwells in Pūvaṉur in the tongues one crore times will disappear, being scattered.
will become richer than the King of the immortals intiraṉ.

Civaṉ is my close companion is like my wife.
is like my father.
is my precious life.
who is the gold which is the wealth of the slave and devotee who is myself.
who is the embodiment of all virtues who dwells with desire in pūvaṉūr.
it is difficult to know his nature as a person of such and such a character.

People of this world who have many accumulation of faults and not many good qualities!
you can destroy the bad acts done, in addition to those.
Civaṉ who has as ornaments cobras living in anthills.
learn the names of the Lord in pūvaṉūr and praise him before you pass away from this world.

Civaṉ bathes in the five products which are obtained from the cow.
who has a red form on which pure and white sacred ash is smeared thickly.
the good and bad acts of those who enters into pūvaṉūr on the southern bank of veṇṇi, which is the abode of Civaṉ who expounded the vētam to be studied, will go away from them.

the places of Civaṉ who has a vehicle of a bull.
are pūvaṉūr Nallam which has water full of flowers Nallam is now known as Koṉērirājapuram in Tanjāvūr Dt.
naṉipaḷḷiūr this was the birth place of the mother of campantar tillaiyūr citamparam tiruvarūr cīkaḻi if one utters good vallam as his places.
the irresitible acts will vanish.

not being repentant owing to thinking, `that is good and this is bad` with a tender heart and having eyes filled with tears.
those who praise the pure Civaṉ in pūvaṉūr are superior to other human beings.

Civaṉ the chief who is the cause of all things.
who is worshipped by the immortals scattering flowers and uttering his names.
who is always chanting the vētams in his tongue.
who has as a half the beautiful and young daughter of the mountain.
the master in pūvaṉūr in the south is the chief of the big army of the pūtāms which is extensive.

pūvaṉūr cool puṟampayam nāvalūr which has flower-gardens.
including naḷḷaṟu naṉṉilam Kōvalūr Kuṭavāyil Koṭumuṭi and mūvalūr these are the shrines of Civaṉ who has three eyes, People of this world!
go on pilgrimage to visit these places.

being cheated by the trickish words of amanar, who were my enemies and knew not slightest suffering and who committed sinful acts.
this is the day when I entered into pūvaṉūr which is the beautiful shrine of Civaṉ who is superior to all other gods.

Civaṉ perfect in all attributes to whose feet nāraṇaṉ, Piramaṉ of four faces, intiraṉ, vivāyakan and Kumaraṉ make obeisance.
who is a youth in his prime and who is the first cause of all things who is in pūvaṉūr and who admitted me as his protege.

as soon as the arakkaṉ whose colour was like the sable cloud entered into the foot of the hill and lifted it.
when the toe of the foot of the Lord in pūvaṉūr which was bent upon destroying the pride of Irāvaṇaṉ, was slightly pressed.
when his body was squeezed like a bag.
he saved himself singing the Cāma vētam

Thursday, November 14, 2013

Sivan is the beginning and end of all things

The temple is praised in the Thevaram hymns of Saint Tirugnanasambandar. This is the 3rd Shiva temple on the northern bank of Cauvery praised in Thevaram hymns.

Sri Uchinathar Temple, Sivapuri – 608 002, Via Annamalainagar, Cuddalore district.

The temple has one prakara.  The Rajagopuram is facing east. Lord is facing east and Ambica south.

Parents perform the Anna Prasana ritual (first rice feeding of the child) in the temple hoping that the child would never face food problem in life.

This is one of the sacred places where Lord Shiva granted darshan to Sage Agasthya. Lord Shiva and Mother Parvathi appear in their wedding posture behind the Shivalinga.  During his stay in Chidambaram, Sambandar used to come to this temple everyday to worship the Lord.  The places around Chidambaram were once green with paddy fields, hence the name of the place Tirunelvoyil, presently called Sivapuri.  The temple is in this place.  After Mother Parvathi fed Gnanasambandar with Wisdom Milk (Gnanappal in Tamil), Lord Shiva too offered food to the saint.

The wedding of Gnanasambandar was arranged when he was 12.  The relatives of both sides and 63 shiva devotees travelled to Achalpuram Shiva temple.  It was midday.  All in the party were hungry and stayed at Sivapuri.  Knowing their suffering from hunger, Lord in the guise of the temple priest fed the party with a delicious lunch.  Lord is praised as Uchi Nathar (meaning Midday Lord and  Madhyaneswarar in Sanskrit).  People of the place call this temple Kanakambal Koil.

Thirumurai 2.26 திருநெல்வாயில்

பாடல் எண் : 1

புடையி னார்புள்ளி கால்பொ ருந்திய
மடையி னார்மணி நீர்நெல் வாயிலார்
நடையி னால்விரற் கோவ ணந்நயந்
துடையி னாரெம துச்சி யாரே.

பாடல் எண் : 2

வாங்கி னார்மதிண் மேற்க ணைவெள்ளந்
தாங்கி னார்தலை யாய தன்மையர்
நீங்கு நீரநெல் வாயி லார்தொழ
ஓங்கி னாரெம துச்சி யாரே.

பாடல் எண் : 3

நிச்ச லேத்துநெல் வாயி லார்தொழ
இச்சை யாலுறை வாரெம் ஈசனார்
கச்சை யாவதோர் பாம்பி னார்கவின்
இச்சை யாரெம துச்சி யாரே.

பாடல் எண் : 4

மறையி னார்மழு வாளி னார்மல்கு
பிறையி னார்பிறை யோடி லங்கிய
நிறையி னாரநெல் வாயிலார் தொழும்
இறைவ னாரெம துச்சி யாரே.

பாடல் எண் : 5

விருத்த னாகிவெண் ணீறு பூசிய
கருத்த னார்கன லாட்டு கந்தவர்
நிருத்த னாரநெல் வாயின் மேவிய
ஒருத்த னாரெம துச்சி யாரே.

பாடல் எண் : 6

காரி னார்கொன்றைக் கண்ணி யார்மல்கு
பேரி னார்பிறை யோடி லங்கிய
நீரி னாரநெல் வாயி லார்தொழும்
ஏரி னாரெம துச்சி யாரே.

பாடல் எண் : 7

ஆதி யாரந்த மாயி னார்வினை
கோதி யார்மதில் கூட்ட ழித்தவர்
நீதி யாரநெல் வாயி லார்மறை
ஓதி யாரெம துச்சி யாரே.

பாடல் எண் : 8

பற்றி னானரக் கன்க யிலையை
ஒற்றி னாரொரு கால்வி ரலுற
நெற்றி யாரநெல் வாயி லார்தொழும்
பெற்றி யாரெம துச்சி யாரே.

பாடல் எண் : 9

நாடி னார்மணி வண்ண னான்முகன்
கூடி னார்குறு காத கொள்கையர்
நீடி னாரநெல் வாயி லார்தலை
ஓடி னாரெம துச்சி யாரே.

பாடல் எண் : 10

குண்ட மண்டுவர்க் கூறை மூடர்சொற்
பண்ட மாகவை யாத பண்பினர்
விண்ட யங்குநெல் வாயி லார்நஞ்சை
உண்ட கண்டரெம் முச்சி யாரே.

பாடல் எண் : 11

நெண்ப யங்குநெல் வாயில் ஈசனைச்
சண்பை ஞானசம் பந்தன்சொல் லிவை
பண்ப யன்கொளப் பாட வல்லவர்
விண்ப யன்கொளும் வேட்கை யாளரே.

God who is in Nelvāyil which has water as blue as sapphire in the small sluices which is in a stream and has crabs by the side of the fields.
He wears a garment of loin-cloth four inches wide desiring it, as a mark of purity of his conduct he is seated on my head.

He discharged an arrow on the forts by bending the bow He bore the floods (on his head) He is the pre-eminent one.
He is in Nelvāyil where water is always flowing He is very great to be worshipped.
He is seated on my head.

He is in nelvāyil which is worshipped daily.
He resides there out of his will to be worshipped.
our Lord.
He wears a girdle of a serpent.
he has a beautiful energy of will;
he is seated on my head.

He gave out all the Vētams He has a weapon of maḻu.
has a flourishing crescent.
Has the shining floods of Kankai along with the crescent.
is complete in himself He is in Nelvāyil Lord worthy of worship He is seated on my head.

Being an elderly one He is the chief who has smeared white sacred ashes.
He was fond of dancing in fire.
dancer.
he is the unequalled one who resides willingly in Nelvāyil.
he is seated on my head.

He wears a chaplet of koṉṟai (indian laburnam) which blossoms abundantly in winter.
has increasing fame;
has countless names He has the water (of Kaṅkai) which is glittering by the rays of the crescent He is in Nelvāyil He is such a beautiful person worthy of worship.
He is seated on my head.

He is the beginning of all things.
He is the end of all things.
one who destroyed the combined forts of avuṇar of angry actions.
He is the proper moral conduct.
He is in nelvāyil.
He chants the vētams.
He is seated on my head.

He gently pressed with a single toe of one leg for the forehead to become fixed with the mountain when arakkaṉ (Rāvaṇaṉ) caught hold of Kayilai He is in Nelvāyil.
Has the nature of being worshipped (by devotees) He is seated on my head.

the one whose complexion is like the sapphire and the four-faced one both of who searched for him by their combined efforts, was unapproachable in his opinion.
He rose high as a column of fire.
He is in Nelvāyil.
Has a skull He is seated on my head.

He has the nature of considering the words of the ignorant and low amaṇar who cover their bodies with the red ochre robe as not having any substance.
He is in nelvāyil of fame that has spread to the celestial world.
He stationed the poison which he swallowed, in his neck.
He is seated on my head.

these verses which are in praise of the Lord in Nelvāyil where friendship is very abundant (among devotees), by Ñāṉacampantaṉ born in Caṇpai those who are capable of singing them melodiously to obtain benefit, are those who are desirous of getting the benefit of eternal bliss.
[[Nelvāyil is now known as Civapuri.]]

beautiful Lord Thirumeni Azhagar

Saint Tirugnanasambandar has praised the Lord in his Thevaram hymns. The tower is clothed by the clouds, Mayendirapalli has many palaces, tanks with blossoming Lotus flowers where the Lord is on His bull vehicle. Let us all prostrate on His feet. This is the sixth temple on the northern bank of Cauvery River praised in Thevaram hymns.

Sri Chandikeswara graces with his consort in the prakara. There is a separate shrine for Lord Sri Vinayaka with Ragu and Ketu on both sides. Lord Muruga graces from His shrine with His consorts Valli and Deivanai. There are shrines of Sri Kasiviswanatha – Mother Visalakshi, Meenakshi Sundareswarar, Bhairavar and Saneeswarar-Saturn, Sun and Moon. There is no shrine for Navagrahas- 9 planets in the temple.

Handsome Shiva is praised as Tirumeni Azhagar and Mother as Vadivambikai for their beauty. Saint Tirugnanasambandar addresses the Lord as Azhagar. Lord Shiva is Azhagar in this temple. Lord Brahmma, Sun and Moon had worshipped in this temple. During the month of Panguni (March-April) the rays of Sun fall on the Lord. On the side wall of Shriva Shrine, Lord Dakshinamurthy graces.

For his wrong desire on Akalika wife of Maharshi Gautama, Indira was cursed by the Rishi to have eyes throughout his body. He came to Earth and prayed to Lord Shiva for relief in many places and this is one among them. As Indira – Maha Indira worshipped here the place came to be known as Mahendirapalli. A temple was erected here later.

City : Mahendirapalli, Koiladipalayam

Sri Tirumeni Azhagar Temple, Mahendirapalli – 609 101, Nagapattinam


திருமயேந்திரப்பள்ளி - Thirumurai 3.31

பாடல் எண் : 1

திரைதரு பவளமும் சீர்திகழ் வயிரமும்
கரைதரு மகிலொடு கனவளை புகுதரும்
வரைவிலா லெயிலெய்த மயேந்திரப் பள்ளியுள்
அரவரை யழகனை யடியிணை பணிமினே.

பாடல் எண் : 2

கொண்டல்சேர் கோபுரங் கோலமார் மாளிகை
கண்டலுங் கைதையுங் கமலமார் வாவியும்
வண்டுலாம் பொழிலணி மயேந்திரப் பள்ளியிற்
செண்டுசேர் விடையினான் றிருந்தடி பணிமினே.

பாடல் எண் : 3

கோங்கிள வேங்கையும் கொழுமலர்ப் புன்னையும்
தாங்குதேன் கொன்றையும் தகுமலர்க் குரவமு
மாங்கரும் பும்வயன் மயேந்திரப் பள்ளியுள்
ஆங்கிருந் தவன்கழ லடியிணை பணிமினே.

பாடல் எண் : 4

வங்கமார் சேணுயர் வருகுறி யான்மிகு
சங்கமா ரொலியகில் தருபுகை கமழ்தரு
மங்கையோர் பங்கினன் மயேந்திரப் பள்ளியுள்
எங்கணா யகன்றன திணையடி பணிமினே.

பாடல் எண் : 5

நித்திலத் தொகைபல நிரைதரு மலரெனச்
சித்திரப் புணரிசேர்த் திடத்திகழ்ந் திருந்தவன்
மைத்திகழ் கண்டனன் மயேந்திரப் பள்ளியுட்
கைத்தல மழுவனைக் கண்டடி பணிமினே.

பாடல் எண் : 6

சந்திரன் கதிரவன் றகுபுக ழயனொடும்
இந்திரன் வழிபட விருந்தவெம் மிறையவன்
மந்திர மறைவளர் மயேந்திரப் பள்ளியுள்
அந்தமி லழகனை யடிபணிந் துய்ம்மினே.

பாடல் எண் : 7

சடைமுடி முனிவர்கள் சமைவொடும் வழிபட
நடநவில் புரிவின னறவணி மலரொடு
படர்சடை மதியினன் மயேந்திரப் பள்ளியுள்
அடல்விடை யுடையவ னடிபணிந் துய்ம்மினே.

பாடல் எண் : 8

சிரமொரு பதுமுடைச் செருவலி யரக்கனைக்
கரமிரு பதுமிறக் கனவரை யடர்த்தவன்
மரவமர் பூம்பொழின் மயேந்திரப் பள்ளியுள்
அரவமர் சடையனை யடிபணிந் துய்ம்மினே.

பாடல் எண் : 9

நாகணைத் துயில்பவ னலமிகு மலரவன்
ஆகணைந் தவர்கழ லணையவும் பெறுகிலர்
மாகணைந் தலர்பொழின் மயேந்திரப் பள்ளியுள்
யோகணைந் தவன்கழல் உணர்ந்திருந் துய்ம்மினே.

பாடல் எண் : 10

உடைதுறந் தவர்களு முடைதுவ ருடையரும்
படுபழி யுடையவர் பகர்வன விடுமினீர்
மடைவளர் வயலணி மயேந்திரப் பள்ளியுள்
இடமுடை யீசனை யிணையடி பணிமினே.

பாடல் எண் : 11

வம்புலாம் பொழிலணி மயேந்திரப் பள்ளியுள்
நம்பனார் கழலடி ஞானசம் பந்தன்சொல்
நம்பர மிதுவென நாவினா னவில்பவர்
உம்பரா ரெதிர்கொள வுயர்பதி யணைவரே.

the beautiful Lord in Mayēntirappaḷḷi where the coral that is brought by the waves, the precious diamond, the heavy chanks, the akil that is washed ashore, enter.
the beautiful Lord who discharged an arrow from the bow which was made of a mountain.
you bow to the feet of the beautiful Lord who has tied a serpent round his waist.

the tower on which cloud rests.
mansions full of beauty.
plants of water thorn and fragrant screw-pine.
tanks full of lotus flowers.
in Mayentirappalli which is made beautiful by gardens where bees are wandering.
the Lord who has a bull that can be trained in a place for exercises bow to his perfect feet.

in Mayēntirappaḷḷi which has gardens, in which there are Kōṇku, young vēṅkai, East indian Kino tree punnai having fertile flowers, koṉṟai with honey, Kuravan bottle-flower-tree with beautiful flowers, mango trees and fields where sugar-canes are growing.
bow to the feet which wear anklets, of the Lord who is there.

with the sound of conch blown to inform the safe return of ships which went to trade with distant countries when ships return it was he custom in ancient days to blow the conch in Mayēntirappaḷḷi where the incense of akil eagle-wood tree spreads its fragrance.
the Lord who has a young lady as his half.
bow to the feet of our master.

the Lord who is in the good Mayēntirappaḷḷi shining prominently where the different kinds of waves wash ashore many collections of pearls which resemble rows of flowers.
one who has a shining black neck.
after seeing him who has a maḻu battle-axe in his hand bow to his feet.

our Lord who was worshipped by the moon, sun, Intiran the ruler of the celestial world and Ayaṉ of fame fitting to his greatness.
save yourselves by bowing to the feet of the Lord of endless beauty who is in Mayēntirappalli where maṟai containing mantiram mantras are flourishing.
From the first two lines we have to infer that local legends about shrines were current ever before the time of nāyaṉmār.

the Lord who dance gladly, to be worshipped by the sages who arrange their matted locks of hair in the form of a crown, with things collected for worshipping him.
he has in his spreading matted locks of hair a crescent and flowers with honey.
save yourselves by bowing to the feet of the one who has a strong bull in Mayēntirappaḷḷi.

the Lord who pressed down the ten heads and twenty hands of Arakkaṉ strong enough to give battle, to be smashed, under the great mountain.
is Mayēntirappaḷḷi where in the sea-side gardens indian oak trees are found growing.
save yourselves by bowing to the feet of the Lord who has serpents lying on his matted locks of hair.

one who sleeps on the bed of a serpent.
one who is seated in a beautiful lotus flower.
were not capable of even reaching the feet of the Lord though they began to search his feet and head, and though they were in the form of the Lord This may refer to ēkapātamūrti meditating upon the feet of the Lord who practised yōkam, in Mayēntirappaḷḷi where the gardens touching the sky blossom flowers.
save yourselves.

those who have dispensed with clothes worn round the waist jains of the Digambara sect and those who wear robes soaked in myrtle dye, issuing an offensive smell.
have hainous blots.
you leave listening to what they say.
Bow to the feet of the master who has chosen as his place Mayēntirapaḷḷi made beautiful by fields which have flourishing small sluices for water to flow into them.

about the feet which wear anklets, of the Lord in Mayēntirappaḷḷi, in whom we can repose confidence, which is adorned by gardens where fragrance is always moving the verses composed by Nyāṉacampantaṉ.
those who repeat them often with their tongues which generally indulge in useless talk with the idea it is our duty.
they will reach the high heaven to be received by the residents of that place.